5.4/10
18
2 user 1 critic

The Man from Morocco (1945)

Approved | | Action, Adventure | 23 November 1946 (USA)
A story of war, mystery, love and adventure following a group of members of the International Brigade and his artist captain fighting in the Spanish Civil War who undergo internment in a ... See full summary »

Director:

(as Max Greene)

Writers:

(story), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Karel Langer
Margaretta Scott ...
Manuela
...
Sarah Duboste
Reginald Tate ...
Ricardi
Peter Sinclair ...
Jock Sinclair
David Horne ...
Dr. Duboste
Hartley Power ...
Colonel Bagley
Sybille Binder ...
Erna
Charles Victor ...
Bourdille
Joseph Almas ...
Franz (as Josef Almas)
John McLaren ...
Pete
Dennis Arundell ...
Gatzini
André Randall ...
French General
Carl Jaffe ...
German General
Orlando Martins ...
Jeremiah
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Storyline

A story of war, mystery, love and adventure following a group of members of the International Brigade and his artist captain fighting in the Spanish Civil War who undergo internment in a French camp, forced work in Sahara, carrying vital information to England and fighting a Nazi espionage web which will eventually take the captain back to Morocco, while searching for his loved one. Written by BSK

Plot Summary | Add Synopsis

Genres:

Action | Adventure

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

23 November 1946 (USA)  »

Also Known As:

Der Mann aus Marokko  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Soundtracks

Marching on for Freedom
Music by Mischa Spoliansky
Lyrics by Phil Park
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User Reviews

 
A romantic adventure with an anti-fascist message which only occasionally gets in the way of the story.
8 August 2000 | by (Barry, South Wales) – See all my reviews

An enjoyable romantic adventure set in the period between the defeat of the Spanish Republic and just before America entered the war. One or two idealistic speeches hold up action occasionally, but the film is refreshingly free of jingoism.


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