This short is in the "Crime Does Not Pay" series. Charlie Vurn is always looking for the 'big score.' He bets on the horses and owes his bookie. At work, he 'borrows' from his accounts. ...
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The MGM crime reporter introduces Dr. Mallory, health commissioner of a large Midwestern city, he who talks about the dangers pregnant women face by going to clinics that advertise discreet... See full summary »
This entry in MGM's series of shorts, "Crime Doesn't Pay", features a big city crime boss's attempt to use his crime "machine" to fraudently win re-election for the current corrupt mayor. ... See full summary »
C. Henry Gordon,
Dennis Nordell joins the police force with a long-range goal; use the knowledge he gains to pursue a career of undetected crime. Camouflaged by his uniform and badge, he pulls of a number ... See full summary »
This short is in the "Crime Does Not Pay" series. Charlie Vurn is always looking for the 'big score.' He bets on the horses and owes his bookie. At work, he 'borrows' from his accounts. After a terrible accident, he comes into a large sum of money and thinks he has it made...or does he? Written by
David Glagovsky <firstname.lastname@example.org>
Director Joseph Newman's "The Luckiest Guy in the World" is, quite simply, a too-long neglected masterpiece of film noir. Like a previous poster, I, too, saw this recently on Turner Classic Movies and it grabbed me right from the beginning, a compelling story of an "average Joe" whose life spirals out of control when he desperately needs money to pay off gambling debts.
Baby-faced Barry Nelson, one of the screen's best portrayers of Mr. Nice Guy types, turns in a solid performance of a man caught in an inescapable trap of his own making. Also excellent, in the only other roles of any size, are Eloise Hardt as his long-suffering wife and Henry Cheshire as his sympathetic, unsuspecting boss. Max Terr's taut musical score is a plus, too.
Almost all the entries in MGM's "Crime Does Not Pay" series were good little crime dramas. Like many live-action shorts of the period, they served as a valuable training ground for promising writing, acting, and directing talents that the studio was trying to develop. "The Luckiest Guy in the World" is, far and away, the best, an outstanding short and a lost classic of film noir.
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