A faithful wife takes gentle revenge on her philandering husband.


(as William Seiter)
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Complete credited cast:
Madeline Laslo
William 'Pa' Williams, Sr.
Paul Millard
J.P. 'Joe' Winthrop
Elisabeth Risdon ...
'Ma' Williams
Jimmy Hennessey
Martha, Kay's Maid
Hotel Clerk
Janie (as Joan Fulton)


Kay Williams, an executive with Styles, Inc., is true to her absent husband Bill despite much harassment for dates from co-workers. But when Bill finally returns from Europe, it becomes increasingly evident to Kay that he has been a world- class philanderer. Still loving him, Kay decides to take gentle revenge by making him think she does likewise. Ensuing comic events ridicule the double standard at every opportunity. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis




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Release Date:

21 June 1946 (USA)  »

Also Known As:

When Lovers Meet  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?


"The Hedda Hopper Show - This Is Hollywood" broadcast a 30 minute radio adaptation of the movie on October 26, 1946 with George Brent reprising his film role. See more »

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User Reviews

often times silly, but not dull
28 January 2013 | by (United States) – See all my reviews

Lucille Ball stars as Kay Williams, a woman who discovers her beloved husband wasn't faithful while away as a war correspondent and reacts by planting clues that she hadn't been faithful either. This film is cute, and thinly plotted. It is a good showcase for Ball, who also is given a great wardrobe, designed by Travis Banton and Al Teitelbaum. George Brent plays her husband, Bill. It is nice to see him in a comedic role. Vera Zorina plays a woman who Bill had been romancing on the side, and while her acting is mediocre, her looks are stunning.

There are great supporting players, especially Raymond Walburn, Carl Esmond, and William Wright as eager suitors of Kay's, and Charles Winninger and Elisabeth Risdon as Bill's fuming father and tolerant mother. Louise Beavers is also a delight as Kay's jovial maid, Martha, and it is a typical role for a black actress of the time.

The script is often times silly, but the story is not dull, and the film does have some fun moments for Ball's comedic chops as well as Brent's. Throughout I was smiling and giggling, and I think that was the intent of the filmmakers.

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