Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot. Written by
Dan Weckerly <Daniel_Weckerly@providentmutual.com>
This film was regarded as a major departure for Bud Abbott and Lou Costello. It was their first situation comedy, and the comedy was character-/situation-driven rather than gag-driven. See more »
Abbott's toupee shifts noticeably during the "7 times 13 = 28" scene. (The "shift" is due to the fact that the scene was filmed after principal photography was completed. It was felt that at least one classic "routine" had to be inserted into the picture. You will notice that Lou is also heavier during this footage. Also filmed at this time was the routine with Sidney Fields, replacing a less confrontational sequence filmed with Eddy Waller.) See more »
The idea of "Little Giant" seemed a natural for great comedy; Costello plays a country fellow, well-intentioned but naive, who dreams of success in the big city. Having completed a record correspondence course, he becomes a vacuum cleaner salesmen, with Abbott as his boss. Success and failure for Costello follow, with plot twists aplenty.
"Little Giant" is considered a weak entry in the A&C series, and for good reason. While one can appreciate the chances A&C took in making a film with much pathos, along with making a film where Bud and Lou don't play a team, the end result doesn't measure up to the promise of something different. After all, this is Abbott and Costello, and one expects some great routines and laughs. While their "7 x 13 = 28" sketch is reprised here (it originally appeared in "In The Navy"), it is weakened by the boss/worker relationship of Abbott and Costello (and the noticeable shift in Abbott's toupee from scene to scene). There are a few other chuckles here and there, and this film marks the attempt to have Costello emerge as a tragi-comedian, in the mold of his idol, Chaplin. The end result just is not very funny. 3 out of 10.
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