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Crisis (1946)

Kris (original title)
A small-town piano teacher is shocked by the arrival of her foster daughter's real mother, whose young lover soon follows and causes further disruption.

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(screenplay), (play)
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Cast

Cast overview:
...
...
Marianne Löfgren ...
Jenny
Dagny Lind ...
Ingeborg
Allan Bohlin ...
Ulf
Ernst Eklund ...
Uncle Edvard
Signe Wirff ...
Aunt Jessie
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Storyline

Ingeborg is a small-town piano teacher who raises her foster daughter, Nelly, into young adulthood. When Nelly is eighteen, she is shocked by the arrival of Jenny, her mother, whom she calls "Auntie." Jenny wants to take her to the big city and teach her to be a beautician in her salon. This is devastating news for Ingeborg, who is ill and does not expect to live long. Ulf, the stolid 30ish man in love with Nelly, begs her to stay; but she is not in love with him, considering him much too old. Instead, she is attracted to Jack, a new arrival in town. She doesn't guess that this strange young man with the striped suit and dashing mustache is her mother's lover as well. Written by J. Spurlin

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

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Release Date:

25 February 1946 (Sweden)  »

Also Known As:

Crisis  »

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Technical Specs

Runtime:

Sound Mix:

(AGA Baltic)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

First film directed by Ingmar Bergman. See more »

Connections

Referenced in Three Scenes with Ingmar Bergman (1975) See more »

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User Reviews

 
Ingmar Bergman, making his directorial debut, presents a lovely story that begins light and grows darker
11 September 2009 | by (United States) – See all my reviews

Ingeborg (Dagny Lind) is a small-town piano teacher who raises her foster daughter, Nelly (Inga Landgré), into young adulthood. When Nelly is eighteen, she is shocked by the arrival of Jenny, her mother, whom she calls "Auntie." Jenny wants to take her to the big city and teach her to be a beautician in her salon. This is devastating news for Ingeborg, who is ill and does not expect to live long. Ulf, the stolid 30ish man in love with Nelly, begs her to stay; but she is not in love with him, considering him much too old. Instead, she is attracted to Jack, a new arrival in town. She doesn't guess that this strange young man with the striped suit and dashing mustache is her mother's lover as well.

Ingmar Bergman, making his directorial debut working with his own script adapted from a play by Leck Fischer, presents a lovely story that begins light and grows darker. Although he gets some beautifully composed shots from his cinematographer, Gösta Roosling, the movie is not put together in a particularly exciting or interesting way. His most impressive work is with his actors, who bring out all the shades of their multifaceted characters.

Those Shakespearean characterizations are what strike me the most. I don't know if they come from Fischer or Bergman. We see Jack (Stig Olin) as a dangerous lover, mischievous young man, laughable weakling, brooding intellectual and manipulative seducer. Jenny (Marianne Löfgren) appears as a selfish intruder, silly airhead, vain older woman and compassionate mother. 400 years after Shakespeare and over 60 years after this movie, we still don't often see characters like these.


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