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Crisis (1946)
"Kris" (original title)

6.6
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Ratings: 6.6/10 from 1,128 users  
Reviews: 13 user | 14 critic

A small-town piano teacher is shocked by the arrival of her foster daughter's real mother, whose young lover soon follows and causes further disruption.

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Title: Crisis (1946)

Crisis (1946) on IMDb 6.6/10

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Cast

Cast overview:
Inga Landgré ...
Stig Olin ...
Marianne Löfgren ...
Jenny
Dagny Lind ...
Ingeborg
Allan Bohlin ...
Ulf
Ernst Eklund ...
Uncle Edvard
Signe Wirff ...
Aunt Jessie
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Storyline

Ingeborg is a small-town piano teacher who raises her foster daughter, Nelly, into young adulthood. When Nelly is eighteen, she is shocked by the arrival of Jenny, her mother, whom she calls "Auntie." Jenny wants to take her to the big city and teach her to be a beautician in her salon. This is devastating news for Ingeborg, who is ill and does not expect to live long. Ulf, the stolid 30ish man in love with Nelly, begs her to stay; but she is not in love with him, considering him much too old. Instead, she is attracted to Jack, a new arrival in town. She doesn't guess that this strange young man with the striped suit and dashing mustache is her mother's lover as well. Written by J. Spurlin

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

25 February 1946 (Sweden)  »

Also Known As:

Crisis  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

First film directed by Ingmar Bergman. See more »

Connections

Referenced in Ingmar Bergman on Life and Work (1998) See more »

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User Reviews

My brief review of the film
20 September 2005 | by (Perth, Australia) – See all my reviews

For a directional debut, this is very solid stuff, not only skillfully directed but also set to a brilliant original music score. I would however identify one weakness with Bergman's directing here: it is very much tailored to the script, with dialogue or narration almost all the time, and this leads to it being too talkative, with limited breaks in which one can stop and admire the way that the story is being told. The film is in this sense very different to the style that Bergman would later adopt, and although perhaps somewhat weak, Bergman's skills do shine through. There are well-framed shots, an effective stream-of-consciousness sequence, great camera angles and excellent camera movement. The inclusion of some more non-dialogue bits possibly would have improved this film, but there is little else to complain about, with quite a good story behind the material too.


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