Old King Cole throws party and invites all of the Mother Goose characters. He warns them that they must leave at midnight. Another collection of characters puts on a stage show. The Ten ... See full summary »
A delivery stork mistakenly delivers Lambert, a lion cub, to a flock of sheep. The mother won't let the stork take him back, so Lambert is raised as a sheep, but he just doesn't fit in. He ... See full summary »
Mickey, Donald, and Goofy live in a land where everything is dried up and dead. The only food they have is one loaf of bread, even Donald's plans of killing their cow fail. So Mickey ... See full summary »
The two foolish little pigs think crying "wolf" on their brother is great sport. Then the real wolf comes around, with his three little wolves. He dresses as Little Bo Peep, with his sons ... See full summary »
Mickey is heading out on vacation from Burbank to Pomona, taking the train. The conductor, Pete, won't let him on with Pluto, so he hides Pluto in his suitcase, and tries to hide him all ... See full summary »
It's a peaceful day at the local poultry farm until Foxy Loxy happens along intent on a chicken dinner. He takes the advice of a book on psychology by striking "the least intelligent" first... See full summary »
Mickey is looking after the orphans. He tells them the story of Gulliver (with Mickey in that role) in Lilliput, though without the satire and bawdy bits. The story ends with Mickey fighting a giant spider, about twice his size.
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
As Sir Cumference battles Sir Loinsteak for the British Empire championship at Canterbury Castle, the chance finally comes for lowly squire Cedric to become A KNIGHT FOR A DAY.
The Middle Ages come in for a ribbing as myriad Goofy look-alikes bumble about, beating at each other with medieval weapons. The animation is unremarkable, but the story, written by the celebrated Bill Peet, is humorous.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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