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The Killers (1946)

Not Rated | | Crime, Drama, Film-Noir | 30 August 1946 (USA)
Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

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Nominated for 4 Oscars. Another 3 wins. See more awards »
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Cast

Complete credited cast:
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Lilly Harmon Lubinsky
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Charles D. Brown ...
Packy Robinson - Ole's Manager
Donald MacBride ...
...
Al
...
Max
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Storyline

Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

BOLD -- because it's told the untamed HEMINGWAY WAY! See more »


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

30 August 1946 (USA)  »

Also Known As:

Ernest Hemingway's The Killers  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

In police car on the way to climactic final scene, Jack (Edmund O'Brien) tells officer driving car to turn off the siren. The officer's hands never leave the wheel yet the siren magically turns off. See more »

Quotes

Reardon: Good morning, Stella.
Stella: Good morning, dream boy.
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Connections

Featured in Visions of Light (1992) See more »

Soundtracks

With Plenty of Money and You
(1936) (uncredited)
Music by Harry Warren
Played on piano in Lou Tingle's cafe
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User Reviews

 
Fantasia On a Theme By Ernest Hemingway
6 October 2002 | by (brighton, ma) – See all my reviews

This is a beautifully made improvisation on a Hemingway story that screenwriters Tony Veiller, John Huston and Richard Brooks, along with director Robert Siodmak, have somehow turned into baroque film noir. The movie starts out with a couple of hired gunmen looking for a character named Swede in a small New Jersey town. They tie up some people they encounter in a diner where they expect the Swede to be, then go and look for him, as he has not turned up at his usual time. A young man they tied up breaks loose and goes and warns the Swede, who thanks him but does nothing, remaining in bed, smoking a cigarette, waiting for the killers to show, which in time they do. The rest of the movie is an exploration, conducted by an insurance investigator, into the murky issue of why the Swede allowed himself to be murdered, and who ordered the killing in the first place.

I can't say the movie's exploration of the Swede's character runs deep, or even that it's satisfactory in its psychology. It works so well because it's excellently written, photographed (by Woody Bredell), and acted (by Burt Lancaster, Ava Gardner, Edmond O'Brien and Albert Dekker, among many others), and consists of flashbacks, and in some cases flashbacks within flashbacks, as its labyrinthine plot, full of double crosses and unexpected turns, drives the film with a relentless urgency that in the end has less to do with psychology than the workings of fate. There is an overwhelming feeling in this film that people behave the way they do because they are driven by forces they cannot understand. In this sense the story in itself is, as presented, shallow and depressing, and yet the movie is so well-crafted, with the action at times seeming to be choreographed, that the end result is akin to an existential roller-coaster ride, if not much to think about.




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why did the Swede just wait to be killed? ilkerimin
William Conrad looks like.... borodinrodin
Swede and Kitty: Magic Movie Moments! davpro2
Mistakes? foggybottom3
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little guy with a cane lukemcgook
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