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The Killers (1946)

Not Rated  |   |  Crime, Drama, Film-Noir  |  26 November 1946 (Argentina)
7.9
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Ratings: 7.9/10 from 11,680 users  
Reviews: 99 user | 68 critic

Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

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(screenplay), (from the story by), 2 more credits »
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Title: The Killers (1946)

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Nominated for 4 Oscars. Another 3 wins. See more awards »
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Cast

Complete credited cast:
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...
...
...
Sam Levene ...
Vince Barnett ...
Virginia Christine ...
Lilly Harmon Lubinsky
Jack Lambert ...
Charles D. Brown ...
Packy Robinson - Ole's Manager
Donald MacBride ...
...
Al
...
Max
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Storyline

Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Every kiss carved his name on another bullet See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

26 November 1946 (Argentina)  »

Also Known As:

Ernest Hemingway's The Killers  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Burt Lancaster was nearly 33 when he made his movie debut in this film. See more »

Goofs

There were several errors involving the firearms used. When Burt robs his cohorts, the gun is obviously not real, probably rubber, because the barrel is pointed downward from the frame. If he were to shoot at someone's chest, the bullet would probably hit below the belt. When Edmond O'Brien is holding his pistol at the bad guy, he says it is a .45, but a trained eye can see that it is either a .32 or .380, most likely of Spanish origin. When Edmond asks Sam Levine if he has another .45 for him, Levine says yes, but the gun turns out to be a .38 revolver instead. See more »

Quotes

Big Jim Colfax: [to Dum Dum] You can leave anytime you want, friend.
'Blinky' Franklin: [acting as peacemaker] Come on! Easy does it, fellas! Easy does it!
'Dum-Dum' Clarke: I don't like to be asked to come up here and then told I can go. Who do you think you're pushin' around?
Big Jim Colfax: A minute ago we were talkin' about reputations. Well, you've got quite a reputation yourself - you're supposed to be a troublemaker.
Big Jim Colfax: [deliberately taking the cigarette out of his mouth] Okay. Make some.
See more »

Connections

Referenced in John Huston: The Man, the Movies, the Maverick (1988) See more »

Soundtracks

With Plenty of Money and You
(1936) (uncredited)
Music by Harry Warren
Played on piano in Lou Tingle's cafe
See more »

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User Reviews

 
The swede story unravels in noir classic.
4 March 2008 | by (United Kingdom) – See all my reviews

You can scan thru many publications and they will tell you that Robert Siodmark's adaptation of Ernest Hemingway's story The Killers is quintessential noir, and whilst I haven't seen enough of the perceived classics to make a sound judgement, I do understand why this one ranks so high.

Perfectly directed by Siodmark because it is washed with a moody ambiance that befits the script, the main players in the piece are bang on form to realise the mood and sombre tempo that makes the film a winner. The story basically revolves around Burt Lancaster's Swede Anderson who upon learning that hired killers are out to fulfil a contract on him, promptly stays horizontal on his bed and awaits his fate. We then follow Edmond O'Brien's insurance investigator Jim Reardon as (thru a series of flashbacks) he reconstructs Swede's life and what caused his demise.

The story encompasses one of film noir's most well known femme fatales in Ava Gardner's foxy Kitty Collins, and it's certainly the film's driving force as we observe her part in Swede's life, for better or worse as it were, but ultimately it's the classy framing of the film that marks it out as essential viewing. It's oppressive, it's almost stifling, and it's certainly story telling of the highest order, but mainly it just looks so fecking gorgeous you feel privileged to have been part of it. 9/10


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Use of the ''''n'''' word!!!! richsass
why did the Swede just wait to be killed? ilkerimin
The Hitmen!!! richsass
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