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The Killers (1946)

7.9
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Ratings: 7.9/10 from 10,795 users  
Reviews: 94 user | 57 critic

Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

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Nominated for 4 Oscars. Another 3 wins. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Sam Levene ...
Vince Barnett ...
Virginia Christine ...
Lilly Harmon Lubinsky
Jack Lambert ...
Charles D. Brown ...
Packy Robinson - Ole's Manager
Donald MacBride ...
...
Al
...
Max
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Storyline

Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Every kiss carved his name on another bullet See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

12 December 1946 (Australia)  »

Also Known As:

Ernest Hemingway's The Killers  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This was Burt Lancaster's first movie role. He was the third choice for the part of The Swede, and was signed only after actors Wayne Morris and Sonny Tufts proved unavailable. Lancaster was an ex-circus acrobat from Union City, New Jersey. When producer Mark Hellinger saw the first rushes of Lancaster's performance in a private screening room, he was so pleased that he yelled "So help me, may all my actors be acrobats!" See more »

Goofs

There were several errors involving the firearms used. When Burt robs his cohorts, the gun is obviously not real, probably rubber, because the barrel is pointed downward from the frame. If he were to shoot at someone's chest, the bullet would probably hit below the belt. When Edmond O'Brien is holding his pistol at the bad guy, he says it is a .45, but a trained eye can see that it is either a .32 or .380, most likely of Spanish origin. When Edmond asks Sam Levine if he has another .45 for him, Levine says yes, but the gun turns out to be a .38 revolver instead. See more »

Quotes

Reardon: When was the last time you saw him?
Charleston: Mister, did you say 'when?'
Reardon: Yes.
Charleston: Mister, when it comes to dates, 1492 is the only one I can remember.
See more »

Connections

Version of Murderers (1956) See more »

Soundtracks

With Plenty of Money and You
(1936) (uncredited)
Music by Harry Warren
Played on piano in Lou Tingle's cafe
See more »

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User Reviews

 
Siodmak, Lancaster's first pairing is one of noir's central masterpieces
4 January 2002 | by (Western New York) – See all my reviews

The Killers marked Burt Lancaster's screen debut, establishing the stoic persona that would sustain his long and luminous career. Along with Criss Cross (also starring Lancaster), The Killers also records the high-water mark of Robert Siodmak's work in film noir.

Starting with a Hemingway short story (the retelling of which constitutes only the prologue to the film), The Killers endeavors to fill in the "back story" which Hemingway left to his readers' imaginations. That back story explains why the "Swede" (Lancaster) passively, almost eagerly, awaits the nasty pair of torpedoes (William Conrad, Charles McGraw) who have come to hunt him down. The germ of this recreation is Lancaster's small, solitary bequest -- to a chambermaid in an Atlantic City hotel where he had once stayed. Insurance investigator Edmond O'Brien catches the scent of something unusual and can't let it go. His investigations, helped by an old buddy of Lancaster's who is now a police lieutenant (Sam Levene), uncover a botched stint as a prizefighter; a smouldering yet duplicitous temptress (Ava Gardner), and a payroll heist that ended in an elaborate double cross.

Siodmak, having disposed of the end right at the outset, takes a circuitous route through his telling by using a fragmented series of flashbacks. Paradoxically -- much as the false starts and averted climaxes in a Bruckner symphony pay off handsomely in the end -- the story thus gains depth and momentum. Woody Bredell's dark and meticulous cinematography fulfills Siodmak's vision, resulting in one of the central masterpieces of the noir cycle.


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Use of the ''''n'''' word!!!! richsass
why did the Swede just wait to be killed? ilkerimin
The Hitmen!!! richsass
Mistakes? foggybottom3
William Conrad looks like.... borodinrodin
Fantastic ajiterady
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