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The Killers (1946)

Not Rated  |   |  Crime, Drama, Film-Noir  |  26 November 1946 (Argentina)
7.9
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Ratings: 7.9/10 from 11,466 users  
Reviews: 98 user | 68 critic

Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

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(screenplay), (from the story by), 2 more credits »
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Title: The Killers (1946)

The Killers (1946) on IMDb 7.9/10

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Nominated for 4 Oscars. Another 3 wins. See more awards »
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Cast

Complete credited cast:
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...
...
...
Sam Levene ...
Vince Barnett ...
Virginia Christine ...
Jack Lambert ...
Charles D. Brown ...
Packy Robinson - Ole's Manager
Donald MacBride ...
...
Al
...
Max
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Storyline

Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Every kiss carved his name on another bullet See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

26 November 1946 (Argentina)  »

Also Known As:

Ernest Hemingway's The Killers  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Screen Directors' Playhouse" did a radio adaptation of the story in 1949 with Burt Lancaster reprising his role as Swede. It was introduced by director Robert Siodmak and featured Shelley Winters as Kitty. See more »

Goofs

When they're making their getaway from the robbery, the camera crew is reflected in the windshield of the truck they're hiding behind. See more »

Quotes

[last lines]
[after Reardon has wrapped up the investigation, Kenyon congratulates him]
R.S. Kenyon: Owing to your splendid efforts the basic rate of The Atlantic Casualty Company - as of 1947 - will probably drop one-tenth of a cent.
[he shakes Reardon's hand]
R.S. Kenyon: Congratulations, Mr. Reardon.
Jim Reardon: I'd rather have a night's sleep.
R.S. Kenyon: Why don't you take a good rest. I must say you've earned it.
[Reardon starts to leave]
R.S. Kenyon: This is Friday... don't come in 'til Monday.
Jim Reardon: Thanks.
See more »

Connections

Referenced in A Dying Breed: The Making of 'The Leopard' (2004) See more »

Soundtracks

The More I Know of Love
(1946)
Music by Miklós Rózsa (as Miklos Rozsa)
Lyrics Jack Brooks
Performed by Ava Gardner (uncredited)
See more »

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User Reviews

 
Siodmak, Lancaster's first pairing is one of noir's central masterpieces
4 January 2002 | by (Western New York) – See all my reviews

The Killers marked Burt Lancaster's screen debut, establishing the stoic persona that would sustain his long and luminous career. Along with Criss Cross (also starring Lancaster), The Killers also records the high-water mark of Robert Siodmak's work in film noir.

Starting with a Hemingway short story (the retelling of which constitutes only the prologue to the film), The Killers endeavors to fill in the "back story" which Hemingway left to his readers' imaginations. That back story explains why the "Swede" (Lancaster) passively, almost eagerly, awaits the nasty pair of torpedoes (William Conrad, Charles McGraw) who have come to hunt him down. The germ of this recreation is Lancaster's small, solitary bequest -- to a chambermaid in an Atlantic City hotel where he had once stayed. Insurance investigator Edmond O'Brien catches the scent of something unusual and can't let it go. His investigations, helped by an old buddy of Lancaster's who is now a police lieutenant (Sam Levene), uncover a botched stint as a prizefighter; a smouldering yet duplicitous temptress (Ava Gardner), and a payroll heist that ended in an elaborate double cross.

Siodmak, having disposed of the end right at the outset, takes a circuitous route through his telling by using a fragmented series of flashbacks. Paradoxically -- much as the false starts and averted climaxes in a Bruckner symphony pay off handsomely in the end -- the story thus gains depth and momentum. Woody Bredell's dark and meticulous cinematography fulfills Siodmak's vision, resulting in one of the central masterpieces of the noir cycle.


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Use of the ''''n'''' word!!!! richsass
why did the Swede just wait to be killed? ilkerimin
The Hitmen!!! richsass
Mistakes? foggybottom3
Fantastic ajiterady
William Conrad looks like.... borodinrodin
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