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The Killers (1946)

Not Rated  |   |  Crime, Drama, Film-Noir  |  26 November 1946 (Argentina)
7.9
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Ratings: 7.9/10 from 11,509 users  
Reviews: 98 user | 68 critic

Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

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(screenplay), (from the story by), 2 more credits »
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Title: The Killers (1946)

The Killers (1946) on IMDb 7.9/10

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Nominated for 4 Oscars. Another 3 wins. See more awards »
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Cast

Complete credited cast:
...
...
...
...
Sam Levene ...
Vince Barnett ...
Virginia Christine ...
Jack Lambert ...
Charles D. Brown ...
Packy Robinson - Ole's Manager
Donald MacBride ...
...
Al
...
Max
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Storyline

Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

TENSE! TAUT! TERRFIFIC! told the untamed Hemingway way! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

26 November 1946 (Argentina)  »

Also Known As:

Ernest Hemingway's The Killers  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Hedda Hopper Show - This Is Hollywood" broadcast a 30 minute radio adaptation of the movie on April 19, 1947 with Edmond O'Brien and Burt Lancaster reprising their film roles. See more »

Goofs

There were several errors involving the firearms used. When Burt robs his cohorts, the gun is obviously not real, probably rubber, because the barrel is pointed downward from the frame. If he were to shoot at someone's chest, the bullet would probably hit below the belt. When Edmond O'Brien is holding his pistol at the bad guy, he says it is a .45, but a trained eye can see that it is either a .32 or .380, most likely of Spanish origin. When Edmond asks Sam Levine if he has another .45 for him, Levine says yes, but the gun turns out to be a .38 revolver instead. See more »

Quotes

George: What'll it be, gentlemen?
Max: I don't know. Whatta you want to eat, Al?
Al: I don't know what I want to eat.
Max: I'll have the roast pork tenderloin with apple sauce and mashed potatoes.
George: That's not ready yet.
Max: Then what's it on the card for?
George: Well, that's on the dinner. You can have that at six o'clock. That clock is ten minutes fast. The dinner isn't ready yet.
Max: Never mind the clock. What have you got to eat?
George: Well, I can give you any kind of sandwiches: bacon and eggs, liver and bacon, ham and eggs, steak...
Al:
[...]
See more »

Connections

Referenced in Pi (1998) See more »

Soundtracks

With Plenty of Money and You
(1936) (uncredited)
Music by Harry Warren
Played on piano in Lou Tingle's cafe
See more »

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User Reviews

This is the one --well, one of the ones
12 September 2005 | by (Los Angeles) – See all my reviews

Along with Billy Wilder's "Double Indemnity," this is the one that established what film noir was all about.

Robert Siodmak's classic thriller, along with "Criss Cross" are two of his best pieces of work, proof positive that crime dramas could rise above the mundane and the clichéd.

Based on one of Hemingway's Nick Adams short stories, it tells the intriguing tale of two hit men who show up in a small town (the film moves it from the Midwest to New Jersey), where they take over a diner and tell its terrified occupants they intend to murder a nobody of a gas station attendant when he comes in for dinner. When he doesn't show, they hunt him down at the rooming house where he lives and do the job there. That's where the short story ends, but the script by Anthony Veiller picks it up from there, pursuing the fascinating story of what makes a man give up on life to the point where he passively waits for a pair of gunmen to show up and blow him to smithereens.

The protagonist,called the Swede, is a guy who isn't a criminal by nature, just a guy who fell upon hard times, but sees a way out by committing one more crime. And of course, as in any good film noir, his greed is fueled more by lust than anything else. There's a girl involved and in order to get her, he has to get the loot.

Burt Lancaster, in his first staring role, comes off very well here, as does Ava Gardner, also top billed for the first time. Strong supporting performances by the great Albert Dekker as the top hood and Sam Levine as a cop with a heart of gold. And we cannot forget Charles McGraw and William Conrad as two of the most frightening cold blooded killers in film history.

Siodmak does a great job in the director's chair in this Mark Hellinger (The Roaring Twenties) produced drama, but it is cinematographer Woody Bredell who steals the show. His use of lighting goes beyond spectacular. All of the clichés we think of in film noir lighting spring from this one film, where they were done right. And watch for one of the longest tracking shots in film history, as Nick Adams flees the diner and races to the Swede's rooming house to warn him. It's an amazing, unbroken shot that runs more than a minute.

Watch, too, for the brilliant shoot 'em up scene in a restaurant at the end of the movie when the two gunmen reappear. It is just a textbook blend of all the movies are supposed to be about, great acting, camera movement that means something, and brilliantly layered music by Miklos Rozsa. Film-making doesn't get any better than this.

A four star film and one of the godfathers of the genre. Don't miss this one.


72 of 85 people found this review helpful.  Was this review helpful to you?

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Use of the ''''n'''' word!!!! richsass
why did the Swede just wait to be killed? ilkerimin
The Hitmen!!! richsass
Mistakes? foggybottom3
Fantastic ajiterady
William Conrad looks like.... borodinrodin
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