A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Johnny Farrell is a gambling cheat who turns straight to work for an unsettling casino owner Ballin Mundson. But things take a turn for Johnny as his alluring ex-lover appears as Mundson's wife, and Mundson's machinations begin to unravel.
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable ... See full summary »
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by
Rod Crawford <firstname.lastname@example.org>
"The Hedda Hopper Show - This Is Hollywood" broadcast a 30 minute radio adaptation of the movie on April 19, 1947 with Edmond O'Brien and Burt Lancaster reprising their film roles. See more »
As Kenyon is reading the story of the robbery in a voice over, the scene shows the gunmen escaping and exchanging shots with the factory guards. The story says the guard was hit in the groin, but as he falls he grabs his shoulder. See more »
[after Reardon has wrapped up the investigation, Kenyon congratulates him]
Owing to your splendid efforts the basic rate of The Atlantic Casualty Company - as of 1947 - will probably drop one-tenth of a cent.
[he shakes Reardon's hand]
Congratulations, Mr. Reardon.
I'd rather have a night's sleep.
Why don't you take a good rest. I must say you've earned it.
[Reardon starts to leave]
This is Friday... don't come in 'til Monday.
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Maybe I've just seen too many old movies, but for me, other than the period fedoras and suits, nothing about this movie would really give away that it's almost 60 years old.
The plot is solid and keeps you guessing until the end, with many twists and turns along the way, and is told asynchronously (perhaps necessary for today's audiences, which may be why it holds up so well). The acting is great, quite realistic, and for the most part avoids the maudlin sentiment and overacting that characterizes some older films.
The Killers is an incredibly enjoyable crime film, perhaps the perfect crime film. I haven't seen the remake, so I can't comment on that, but I hold this film in high regard.
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