Set in an apartment building whose occupants include Arthur Earthleigh, a meek and mild type married to the beautiful-but-domineering Mae; a Bohemian artist, David Galleo and his ... See full summary »
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake... See full summary »
Uncle Rollo finally retires to the house he was brought up in. Lost in thoughts of his lost love, Lark, he does not want to be disturbed in his last days. However, the appearance of his ... See full summary »
Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
Princess Margaret is travelling incognito to elope with her true love instead of marrying the man her father has betrothed her to. On the high seas, her ship is attacked by pirates who know... See full summary »
Shapely burlesque dancer Hot Garters Gertie aka Angela Gardner meets her former teacher John Palmer, now a professor at Midwest State... where she decides to begin her new college career. ... See full summary »
B.G. Bruno, a rich bachelor, the head of a successful greeting-card company in Scotland, is essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An ... See full summary »
A reworking of the movie Three Blind Mice (1938) based on the play of the same name, which in turn led to another remake Moon Over Miami (1941). This remake is set during the turn of the ... See full summary »
H. Bruce Humberstone,
Shy milkman Burleigh Sullivan accidentally knocks out drunken Speed McFarlane, a champion boxer who was flirting with Burleigh's sister. The newspapers get hold of the story and photographers even catch Burleigh knock out Speed again. Speed's crooked manager decides to turn Burleigh into a fighter. Burleigh doesn't realize that all of his opponents have been asked to take a dive. Thinking he really is a great fighter, Burleigh develops a swelled head which puts a crimp in his relationship with pretty nightclub singer Polly Pringle. He may finally get his comeuppance when he challenges Speed for the title. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The Milky Way (1934). Comedy. Written by Lynn Root and Harry Clork. Directed by William W. Schorr. Cort Theatre: 8 May 1934- Jul 1934 (closing date unknown/63 performances). Cast: John Brown, Brian Donlevy (as "Speed McFarland"), Leo Donnelly (as "Gabby Sloan") [final Broadway role], Edward Emerson, William Foran, Gladys George (as "Anne Westey"), Emily Lowry, Hugh O'Connell (as "Burleigh Sullivan"), Bernard Pathe. Produced by Sidney Harmon and James R. Ullman. Note: Considering it did not recoup it's investment, this play proved surprising durable on film. It was purchased rather cheaply by Paramount - recently out of receivership - and produced as a Harold Lloyd vehicle as The Milky Way (1936) (a flop) and reworked a decade later by Samuel Goldwyn as The Kid from Brooklyn (1946) (a hit) with Danny Kaye in the starring role. See more »
Virginia Mayo's character name is listed as "Polly Pringle" in the onscreen credits, but she is called "Polly Martin" in the movie. See more »
I agree with the other user comments here on this site that state it helps to like Danny Kaye in the first place, because the film offers nothing fresh and exciting outside of a love for musicals and Kaye's effervescent madcap malarkey. It's a perfect showcase for Kaye to let loose and he delivers smartly as the humble milkman mistakenly built up as a prize fighter of note who then proceeds to lose the grip on his ego. He is surrounded by very stoic actors and they all benefit from a tidy script and foot tapping tunes, and sure enough the laughs are dotted throughout the show, but it still feels like they plonked Danny Kaye on set and built a film around him.
It's also of interest to note the back story of the film actually being a remake of Harold Lloyd's 1936 film The Milky Way, that is something that few people are aware of and great effort was made by the makers of The Kid From Brooklyn to distance themselves from the 36 film. So with that in mind it's hard to not view this film as merely a Kaye vehicle without much heart, and with that I say the film is entertaining enough without being close to being a really good Danny Kaye movie, 6/10.
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