Reporter Henry Barton, just out of the Army, is chagrined to be made Science Editor while his old crime reporter job goes to Bess. Against orders, Henry probes a racketeering case, and is in a Brooklyn tavern when beautiful Julia comes in with a well-trained Doberman Pinscher and with the dog's aid proceeds to rob the place... or does she? More complications ensue, with a "battle of the sexes" undertone. Written by
Rod Crawford <firstname.lastname@example.org>
With all the fine canine actors in Hollywood of the time (1946), why bother with humans at all. Besides, humans cost a lot more and complain a lot. Here Rodney the Doberman gives a fine performance, even if he does rob a saloon, sneeze at the wrong time, and sleep on the job. Still, he does help catch the crooks, get officer Pirelli promoted out of Flatbush, and bring lovebirds Julia and Barton together. Pretty good for an actor with no dialog, except an occasional woof-woof.
On the whole, the movie's an entertaining little crime comedy, with Joslyn in good addled form as a reporter, and Landis in good curvaceous form as a lady cop. I never could figure out exactly the plot, but who cares since that's not what drives an amusing trifle like this. It's also a good chance to catch up with future TV stars like Henry Morgan (MASH) and Reed Hadley (Racket Squad). Actually, what caught my eye among the usual hijinks were our heroes running amidst what looks like a real downtown traffic scene. Watch for it. Usually such setups are filmed on the lot, as are other street scenes in the movie. But not this particular one, and it's kind of scary.
All in all, the screenplay meanders too much to concentrate its humor, but still manages a share of chuckles.
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