Dashing Johnny Barrett has a secret identity: Spanish Jack, the masked bandit. Always one step ahead of the law, Barrett effortlessly balances his double life--robbing by night, romancing ... See full summary »
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Charlie competes with his fellow shop assistant. He is fired by the pawnbroker and rehired. He nearly destroys everything in the shop and and himself. He helps capture a burglar. He destroys a client's clock while examining it in detail.
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Dashing Johnny Barrett has a secret identity: Spanish Jack, the masked bandit. Always one step ahead of the law, Barrett effortlessly balances his double life--robbing by night, romancing by day and always with a smile. But when the woman he loves begins to suspect him and the young man he befriends is arrested for being him, it's time for Johnny to rethink his priorities. Written by
Chris Stone <email@example.com>
I have a particular fondness for this movie, which I first saw on Saturday afternoon TV many years ago as a kid. (This was in the paleolithic era when local channels showed movies.) While certainly not inspired film making, it ambles along pleasantly and has a whole slew of old-reliable character actors--Jack LaRue (a little less hot than in "Temple Drake" ten years or so earlier ), Eugene Palette, Lionel Stander, and the ever-delightful Ruth Donnelly, among others. Constance Moore is lovely and brings her rich voice to a number of songs; Jean Lenoir's "Speak to Me of Love," used in so many Hollywood films, is among the most notable, and it's also used in the background score--and as it's a song that I never get tired of, that's fine with me. Bill Elliott has a sweetness that's engaging. I do find the ending somewhat jarring and not in keeping with the rest of the movie.
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