Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
Oxford Professor Richard Myles and new bride Frances are off on a European honeymoon. It isn't your typical honeymoon though, for they are on a spying mission for British intelligence on ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Paul Boray comes from a working class background. He has been interested in the violin since he was a child, which his father disliked since he felt it a waste of money, but which his mother supported. Into his adult life, Paul wants to become a concert violinist, and although he shows talent, he does not have the right connections to make it into the concert performance world, much like his longtime friend, virtuoso pianist Sid Jeffers, and cellist Gina Romney, both who, like Paul, train with the National Institute Orchestra. Gina and Paul have a connection with each other, Gina who confesses her love for him. While performing at a party with Sid, Paul meets Helen and Victor Wright, their hosts. Victor is a perceptive but self-admittedly weak man, while his wife Helen is strong minded but insecure which manifests itself as neurosis. She constantly tries to forget about her unhappy life by excessive alcohol consumption. Helen becomes Paul's benefactress, which ultimately results in a ... Written by
For the scene where Helen falls off the horse, Joan Crawford performed the stunt herself. Relieved that it had gone well, she nevertheless was forced to the stunt again when it was decided that Paul (John Garfield)'s rushing over and laying on top of her was too racy. It was reshot, and instead, Helen lies on top of Paul. Crawford later remarked: "I couldn't really understand what was the difference, him on top of me or me on top of him. Well, the difference was I had to fall off the horse again. I did, and I lived to tell the tale." See more »
Don McGuire plays Teddy, the proprietor of Teddy's Bar, although his character is listed in the closing credits as Eddie. See more »
"Humoresque" is a 1946 film based on a novel by Fanny Hurst, and is actually a remake of a film made in 1920. This "Humoresque" boasts a great cast, beautiful music, melodrama, and gorgeous violin playing by Isaac Stern.
John Garfield stars as struggling violinist Paul Boray who finally gets his big break with the help of a socialite, Helen Wright (Crawford), when his pianist friend (Oscar Levant) brings him to a party at her home. Helen is a beautiful married lush who is nearsighted, so when Paul starts to play the violin, she asks for her glasses. She has a lot of attractive male hangers-on, one of which is Monte Loeffler (a mustached Craig Stevens). It takes a while, but Helen and Paul at last declare their love and give into their lust. Paul's mother (Ruth Nelson) takes a dim view of the situation, fearing it will hurt her son's career as Helen is a demanding woman and won't take a back seat to his music. In one scene, which to anyone in theater or music is hilarious, after she practically has an orgasm as she watches him play during a rehearsal, Helen sends Paul a note saying that she must see him immediately. Since he's going over music with the conductor and rehearsing with a full orchestra, he doesn't leap off the stage and into the audience in order to rush to Helen's side. She's devastated and gets drunk. I ask you, if she doesn't understand why he didn't stop rehearsal, what chance have they got? This is a wonderful film, reminiscent of the family all living together in "Golden Boy" (not to mention the violin aspect) and the wealthy patron angle in "Serenade," the Mario Lanza film that was based on a novel by James Cain. Helen Wright is one of Joan Crawford's best performances, too.
The film is not without some problems, but you can't fault the incredible music played by Isaac Stern, including the title piece by Dvorak, and music of Sarasate, Lalo and Bizet's Carmen as magnificently adapted by Franz Waxman. The love theme from "Tristan und Isolde" was a post-war favorite in movies evidently, showing up in a few films - it is used here to good, if heavily melodramatic advantage.
My big problem is the end of the movie. The last two scenes between Paul and Sid (Levant) seem completely unnecessary. To have put THE END in what to me was the natural place would have been much more dramatic and compelling. It wasn't done, I think, because the story is actually told in flashback - at the beginning of the film, we see a CANCELLED sign over a poster announcing a performance of Paul's, and the story unfolds. There wasn't any reason really for it to start in flashback either.
As for Crawford's big finale, it is very well done and Crawford performs the actions beautifully, but once you've seen Catherine O'Hara do the same scene on Second City, there's just no way to watch it with a straight face, I'm afraid. Even if you haven't, it is pretty borderline over the top - what saves it is Helen's anguish.
Paul Boray is a perfect role for the talents of John Garfield, a wonderful actor, though for my money he had a limited range. The sexual tension between Garfield and Crawford is tremendous, and it's a credit to both actors how their scenes clicked. There are other wonderful performances as well, particularly from Paul's parents, played by Ruth Nelson and J. Carroll Naish. Levant is given a lot of wisecracks, as is Tom D'Andrea as Paul's brother. Joan Chandler is the long-suffering girlfriend who's been brushed aside for Helen, and she's very good.
The script is solid with some great dialogue and the direction by Jean Negulesco is very crisp. Highly recommended - just don't get a DVD of Second City where they parodied this movie before you've actually seen it.
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