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Paul Boray comes from a working class background. He has been interested in the violin since he was a child, which his father disliked since he felt it a waste of money, but which his mother supported. Into his adult life, Paul wants to become a concert violinist, and although he shows talent, he does not have the right connections to make it into the concert performance world, much like his longtime friend, virtuoso pianist Sid Jeffers, and cellist Gina Romney, both who, like Paul, train with the National Institute Orchestra. Gina and Paul have a connection with each other, Gina who confesses her love for him. While performing at a party with Sid, Paul meets Helen and Victor Wright, their hosts. Victor is a perceptive but self-admittedly weak man, while his wife Helen is strong minded but insecure which manifests itself as neurosis. She constantly tries to forget about her unhappy life by excessive alcohol consumption. Helen becomes Paul's benefactress, which ultimately results in a ... Written by
In New York, the performance of the virtuoso violinist Paul Boray (John Garfield) is cancelled. In his apartment, Paul recalls when he was a boy and chooses a violin as a birthday gift from his working class parents. Paul dedicates his youth playing violin studying in the National Institute Orchestra with Professor Rozner and dreams on becoming a concert violinist. During the Great Depression, Paul overhears a conversation of his father and his older brother about his dedication to the violin and seeks out his best friend Sidney Jeffers (Oscar Levant) asking for a job.
Sid introduces Paul to the wealthy Helen Wright (Joan Crawford) and her husband Victor Wright (Paul Cavanagh) in a party. Helen is an unhappy alcoholic woman that sees that Paul is a talented violinist and brings him to work with the influent agent Bauer (Richard Gaines). His career starts to take off and Paul becomes her protégée. Sooner they have a love affair and they fall in love with each other. But Helen is jealous of the love of Paul for his violin and her insecurity ends in a tragedy.
"Humoresque" is a timeless romance for cinema and music lovers. The screenplay has awesome dialogs with unforgettable lines. When Helen gives a note in the theater to Paul, he is playing Carmen of Bizet and she feels like Don José and learns that she would never have the exclusive love of Paul since he is in love with his violin (and music). In the end, he is playing the tragic Tristan and Iseult of Wagner. Therefore, the film has many layers associated to the classical music. My vote is nine.
Title (Brazil): "Acordes do Coração" ("Chords of the Heart")
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