Attorney Wayne Fletcher and his secretary are having an affair, so when Wayne's wife is found smothered to death, he becomes the prime suspect. As the police investigate the murder, a ... See full summary »
Lon Chaney Jr.,
J. Edward Bromberg
Marcel De Lange is a struggling sculptor whose work and sanity are derided by the New York art critics. After waspishly officious critic F. Holmes Harmon ruins a sale for De Lange by dismissing his expressionistic cubist work as "tripe" and later gloating about it in his column, the distraught artist goes to the river to drown himself. There he discovers the half-drowned body of the notorious serial killer, the Creeper, and takes him back to his studio to recover. Feeling empowered by the friendship of the acromegalic sociopath, De Lange tasks him with murdering the critics who have pilloried him in print. When successful commercial artist Steve Morrow is wrongly suspected of the crimes, his art critic girlfriend Joan Medford decides to follow her instinct about a mysterious bust De Lange has suspiciously covered in his studio, and she decides to snoop around. Written by
Second of three CREEPER films for Rondo Hatton, filmed September 1945, but released March 29, 1946, following Hatton's death on February 2. See more »
Rondo Hatton is the original Monster Without Make-up. He suffered from acromegaly, the disease caused disfigurement to face, spine, hands and feet. Doctors believed what set off this glandular disease in Rondo was exposure to poison gas in World War I. See more »
Maybe it was because my expectations were low, but saw this on "Svenghoulie's" show and enjoyed it as an old black and white creepy movie from the late 1940s just as a Saturday night sort of thing. Not great but had some especially bright spots and a pretty decent cast and storyline, and kept you wondering what the outcome would be right up to the end. I kept expecting the story to fall apart at some point as it usually does in the ones shown on this show, but it kept continuing to be fairly engaging and had some cultural references to the art world that kept it fun to watch. I liked the portrayal of art critics and the art theme, and fun to see the actor who played "Big Jim Champion" on "Circus Boy" in a lead role, along with the monster dude who was an interesting character and had an interesting life story outside of the movie. All in all, fun to watch if you like old movies from the '40s and just want to see something not too deep or demanding that might remind you of a past era you find yourself able to get lost in.
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