House of Horrors (1946)An unsuccessful sculptor saves a madman named "The Creeper" from drowning. Seeing an opportunity for revenge, he tricks the psycho into murdering his critics. Director:Jean Yarbrough |
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House of Horrors (1946)An unsuccessful sculptor saves a madman named "The Creeper" from drowning. Seeing an opportunity for revenge, he tricks the psycho into murdering his critics. Director:Jean Yarbrough |
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| Complete credited cast: | |||
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Rondo Hatton | ... |
The Creeper
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Robert Lowery | ... |
Steven Morrow
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Virginia Grey | ... |
Joan Medford
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Bill Goodwin | ... |
Police Lt. Larry Brooks
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| Martin Kosleck | ... |
Marcel De Lange
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| Alan Napier | ... |
F. Holmes Harmon
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| Howard Freeman | ... |
Hal Ormiston
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Virginia Christine | ... |
Lady of the Streets
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Joan Shawlee | ... |
Stella McNally
(as Joan Fulton)
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Marcel De Lange is a struggling sculptor whose work and sanity are derided by the New York art critics. After waspishly officious critic F. Holmes Harmon ruins a sale for De Lange by dismissing his expressionistic cubist work as "tripe" and later gloating about it in his column, the distraught artist goes to the river to drown himself. There he discovers the half-drowned body of the notorious serial killer, the Creeper, and takes him back to his studio to recover. Feeling empowered by the friendship of the acromegalic sociopath, De Lange tasks him with murdering the critics who have pilloried him in print. When successful commercial artist Steve Morrow is wrongly suspected of the crimes, his art critic girlfriend Joan Medford decides to follow her instinct about a mysterious bust De Lange has suspiciously covered in his studio, and she decides to snoop around. Written by duke1029@aol.com
More than "the creeper" himself ,the real monster is Marcel (a sculptor with a French name meaning "from the angel"!)Martin Kosleck is actually the stand out with his piercing eyes,his banal look and his aspiration for glory ;at the beginning he seems a nice guy feeding his pet cat and coming to a man's rescue.But further acquaintance shows this :he gradually goes nuts and the statue becomes a transparent metaphor for the monster he is creating (a Frankensteinesque relationship,which the ending confirms).
This is also a fierce attack on art critics "who judge works but do not know they are judged by them "(Jean Cocteau),a subject which "theatre of blood" will resume in the seventies.