2 items from 2016
David Lean is well known for his romantic dramas (Brief Encounter) and literary adaptations (Great Expectations, Doctor Zhivago), which is why The Sound Barrier, his 1952 semi-biographical portrait of the British struggle to surpass the speed of sound, seems like something of an oddity.
The story focuses on the relationships between an ambitious Raf pilot Tony (Nigel Patrick), his military bride Susan (Ann Todd) her father, John (Ralph Richardson), a wealthy plane manufacturer who has lofty goals and doesn’t mind risking human lives to reach them. A brief prelude sees Susan’s brother Christopher – a small but welcome appearance from Indiana Jones’ Denholm Elliott – attempt to join the air force, despite both a lack of interest in and aptitude for flying. This ominous complication, paired with the »
- Mark Allen
This week sees the release of the Point Break remake, which is directed by Ericson Core, cinematographer on the original Fast and the Furious movie, Payback, and Ben Affleck’s Daredevil. Core also handles the camera on the Point Break movie, which we reviewed earlier this week.
The film opens in cinemas from Friday, so to celebrate, we thought we’d take a look at the other top cinematographers turned directors.
So, let’s begin…
Ronald Neame – (Born 1911 – Died 2010)
Ronald Neame is a great place to start; the prolific filmmaker started life in 1929 working as an assistant with Alfred Hitchcock on Blackmail, and eventually worked as the cinematographer for forty-seven films starting with Happy (1933). His later works included One Of Our Aircraft Is Missing (1942) and Noel Coward’s In Which We Serve (1942). His final venture was another Coward-adapted play Blithe Spirit (1945), in which he worked with legendary director David Lean »
- The Hollywood News
2 items from 2016
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