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Great Expectations (1946)

Not Rated | | Adventure, Drama, Mystery | 26 December 1946 (UK)
A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

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Won 2 Oscars. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Pip
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Young Pip (as Anthony Wager)
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...
...
...
...
...
...
Ivor Barnard ...
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Mrs.Joe
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...
Hay Petrie ...
John Forrest ...
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Storyline

Pip, a good-natured, gullible young orphan, lives with kind blacksmith Joe Gargery and his bossy, abusive wife 'Mrs. Joe'. When the boy finds two hidden escaped galley convicts, he obeys under -probably unnecessary- threat of a horrible death to bring the criminals food he must steal at peril of more caning from the battle-ax. Just when Pip fears to get it really good while they have guests, a soldier comes for Joe who takes Pip along as assistant to work on the chains of escaped galley-convicts, who are soon caught. The better-natured one takes the blame for the stolen food. Later Pip is invited to became the playmate of Estelle, the equally arrogant adoptive daughter of gloomy, filthy rich Miss Havisham at her estate, who actually has 'permission' to break the kind kid's heart; being the only pretty girl he ever saw, she wins his heart forever, even after a mysterious benefactor pays through a lawyer for his education and a rich allowance, so he can become a snob in London, by now '... Written by KGF Vissers

Plot Summary | Plot Synopsis

Taglines:

NOW The Screen Fulfills Your Greatest Expectations...In ACTION! In ADVENTURE! In ROMANCE! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

26 December 1946 (UK)  »

Also Known As:

Grandes esperanzas  »

Box Office

Budget:

£350,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

David Lean wanted his film to have a feeling of heightened realism. Working closely in conjunction with art director John Bryan and cinematographer Guy Green, he employed several tricks, such as forced perspective, to achieve this effect. The famous opening shot in the graveyard, for instance, features a brooding church in the background which in reality was only 3 meters high. See more »

Goofs

After Uncle Pumblechook parks his carriage in front of the gate at Satis House and drops off the young Pip, Estella leads Pip away from the gate. First, the carriage is clearly seen parked outside the gate. In a later shot, as Pip is walking, the carriage is gone, and in a subsequent shot, the carriage is back in view outside the gate again. See more »

Quotes

Mr. Jaggers: I have a pretty large experience of boys and you're a bad lot of fellows.
See more »

Crazy Credits

The identity of the actress playing Molly is never revealed, because this would constitute a spoiler. See more »

Connections

Featured in The Making of 'Lawrence of Arabia' (2003) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
a delightful tale with broad appeal (Modern viewers, take note.)
29 January 2008 | by (Florida, USA) – See all my reviews

As a fan of many so-called classic films, I am nonetheless aware that there is some validity to the criticism that early movies (say, anything before Brando in Streetcar) as a rule have less vitality than their modern counterparts, are formulaic to a fault, and strain the limits of modern attention spans more than can be fully blamed on the viewer. Great Expectations treads miles clear of any of these criticisms, and so I recommend it in particular to anyone who has a general disdain for films that a) were released in the first half of the 20th century and/or b) were shot in black and white. Here is one that can change your mind.

Naturally, given the talents of the author, the plot itself leaves little to be desired. Further, David Lean, his cast, and his crew, have done a splendid job translating Dickens to the screen. This is indeed, as the Criterion Collection folks have classified it, one of the "Great Adaptations." I doubt that there is a better cinematic adaptation of any Dickens novel and am almost certain there is none in which the Dickensian English dialogue flows more pleasantly and naturally. The actors herein deliver Dickens as Olivier himself delivered Shakespeare. Nor is this an unimportant accomplishment; having to spend a couple of hours listening to actors who sound more like they are delivering a series of quotes (though admittedly they are) than that they are actually conversing can be positively unbearable. Indeed I think that's the main thing that people are hitting upon when, with broad brush-strokes, they paint older films as tedious. Great Expectations is the antidote to just this attitude.

If you are a lover of classic films, you have likely already seen this one or will do so regardless of my review, but if, on the other hand, you entertain the possibility of watching Great Expectations with a deep-seated skepticism I implore you to give it a chance. I have every confidence you'll be pleasantly surprised and find yourself drawn into what is, after all, a fascinating story.


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