Henry Hobson is a successful bootmaker, a widower and a tyrannical father of three daughters. The girls each want to leave their father by getting married, but Henry refuses because marriage traditions require him to pay out settlements.
Brenda de Banzie
Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the ... See full summary »
Pip, a good-natured, gullible young orphan, lives with kind blacksmith Joe Gargery and his bossy, abusive wife 'Mrs. Joe'. When the boy finds two hidden escaped galley convicts, he obeys under -probably unnecessary- threat of a horrible death to bring the criminals food he must steal at peril of more caning from the battle-ax. Just when Pip fears to get it really good while they have guests, a soldier comes for Joe who takes Pip along as assistant to work on the chains of escaped galley-convicts, who are soon caught. The better-natured one takes the blame for the stolen food. Later Pip is invited to became the playmate of Estelle, the equally arrogant adoptive daughter of gloomy, filthy rich Miss Havisham at her estate, who actually has 'permission' to break the kind kid's heart; being the only pretty girl he ever saw, she wins his heart forever, even after a mysterious benefactor pays through a lawyer for his education and a rich allowance, so he can become a snob in London, by now '... Written by
One of the few films to be shown on commercial network television after it had been shown many times on local stations, including PBS affiliates. See more »
Early in the movie, when Mrs. Joe is beating the young Pip, she is clearly not touching him, just swinging the switch up and down behind him. See more »
Now, Pip: put the case that this legal advisor has often seen children tried at the criminal bar. Put the case that he has known them to be habitually imprisoned, whipped, neglected, cast out, neglected, cast out, qualified in all ways for the hangman, and growing up to be hanged. Put the case that here was one pretty little child out of the heap that could be saved. Put that last case to yourself very carefully, Pip.
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Martita Hunt plays Miss Havisham, and receives screen credit for it, but she can also be heard as the voice of the cow who, in Pip's mind, disapproves of him stealing food to give to Magwitch ("Somebody else's pork pie!"). She receives no screen credit for playing the voice of the cow. See more »
When David Lean directed Great Expectations, he used black and white, even though color was available. From the very first scene, you see that the black and white brings out a quality in the film, that wouldn't have been achieved with color. The black and white makes the film seem simpler than it really is. Great Expectations is a film, which ends very nicely for the characters, but their journeys throughout the film are not.
Pip sees himself for the rude snob he became, and Estella prides herself for being a heartless, ruthless bitch (for lack of a better word), and Miss Havisham is cold, and simply out to destroy men. The only person in this film who is not arrogant, or evil is the simple Joe.
I am far from a film expert. Infact, I only watched this movie because I am studying Great Expectations at school. However, after hours of in-depth discussion, there is so much more to this film than meets the eye. My favorite scenes are those in the first quarter of an hour. Lean's use of Silhouettes gives the search for the two escaped convicts a feel of war, and creates an atmosphere of tension very well. It also introduces the key characters in the story excellently.
As far as the story goes, I found it much easier on the head to watch than the book was to read. While it wasn't close in length to books i've read before (I think it's shorter than my little brother's "Harry Potter" books), it took me close to 30 hours to read. The movie compacts the majority of the book into 2 hours of film. The exclusion of characters like Orlick I have no problem with, as they are nearly completely irrelevant to the story. Lean explains the death of Pip's sister in less than 10 seconds, while the book takes somewhere in the region of 10 pages.
The acting is excellent. Alec Guinness was the only actor I had heard of, and that was only thanks to George Lucas. John Mills was interesting to watch, and after seeing the movie, I didn't know weather to like Pip for how he ended up, or to see him for the nasty person he had changed into (and come back from).
Only when watching it for the second time, did i realise the thought behind the direction. When Magwitch reappears, the atmosphere from their first meeting is created exactly; even the wind sounds the same. The sets were also incredible, and remade 19th century England perfectly. Ms. Havisham's `Statis House' was particularly memorable for me, as it is exactly how I pictured it from reading.
David Lean's Great Expectations set a benchmark in 1946 for great movies. It was nominated and won several Oscars, and is still enjoyed today. Every aspect of this film was enjoyable, it tells a great story, and if you look closer, you will appreciate the art of film making a little more, as I have.
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