Johnny Farrell is a gambling cheat who turns straight to work for an unsettling casino owner Ballin Mundson. But things take a turn for Johnny as his alluring ex-lover appears as Mundson's wife, and Mundson's machinations begin to unravel.
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears... Written by
Rod Crawford <firstname.lastname@example.org>
When Gilda is brought back to Argentina by Tom, she slaps Johnny hard across both sides of his face. In reality, Rita Hayworth's smacks broke two of Glenn Ford's teeth. He held his place until the take was finished. See more »
The New York Blizzard happened in 1888, not 1886 as Gilda sings. See more »
To me a dollar was a dollar in any language. It was my first night in the Argentine and I didn't know much about the local citizens, but I knew about American sailors, and I knew I better get out of there.
See more »
This is one of my all time favourite films, much watched with all its faults. Even the best things can't be faultless but any faults can be more easily overlooked.
There is no golden age film I've seen quite like Gilda, full of strange people with highly-charged emotions saying and doing odd thought-provoking things in semi-comical ways - if you include violence and swearing you could say that's 90% of modern movies though! The subject of hate = love has been explored better since Gilda, but with me the first cut is always the deepest - I first saw this when I was a more impressionable youngster. What we have is a scintillating four way love/hate relationship between Ballin, Johnny, Ballin & Johnny's little friend with no name, & Gilda that ultimately becomes the "usual" tawdry tangle, resolved by their nightclub's toilet-attendant. Huh? When you're in the middle of this fantasy world you can swallow all of this and more.
Probably the second best B picture ever made it only starts to feel like one during the last 30 minutes down to the metaphorical walking into the sunset ending. There's so many good bits: The inventive and relentlessly snappy dialogue between the main characters throughout the film; Johnny quoting statistically that there are more insects in the world than women; Johnny waking up at 5am to the sound of Gilda singing to Pio the toilet-attendant; Pio's reaction after the midget industrialist killed himself in the toilets; Ballin describing his little friend's attributes to Johnny who claims he's just as good; Ballin asking Gilda if she was decent when she was; Johnny telling Ballin categorically that he taught Gilda ALL she knew; Gilda's little striptease - what creeps there were in that club - and fancy stopping her!
Not quite as good as, but a worthy bookend for Casablanca, THE best B picture ever made.
46 of 67 people found this review helpful.
Was this review helpful to you?