Gilda (1946) 7.7
The sinister boss of a South American casino finds that his right-hand man Johnny and his sensuous new wife Gilda already know each other. Director:Charles Vidor |
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Gilda (1946) 7.7
The sinister boss of a South American casino finds that his right-hand man Johnny and his sensuous new wife Gilda already know each other. Director:Charles Vidor |
|
| Watch Trailer 0Share... |
| Complete credited cast: | |||
| Rita Hayworth | ... | ||
| Glenn Ford | ... |
Johnny Farrell /
Narrator
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| George Macready | ... | ||
| Joseph Calleia | ... |
Det. Maurice Obregon
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Steven Geray | ... |
Uncle Pio
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Joe Sawyer | ... |
Casey
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| Gerald Mohr | ... |
Capt. Delgado
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Mark Roberts | ... |
Gabe Evans
(as Robert Scott)
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Ludwig Donath | ... |
German Cartel Member
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Donald Douglas | ... |
Thomas Langford
(as Don Douglas)
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Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears... Written by Rod Crawford <puffinus@u.washington.edu>
The 40s and 50s produced many alluring performances from beautiful and sexy actresses and Rita Hayworth's in Gilda is one of the most provocative of all. The film is good and quite deep, the male leads are better, but Hayworth's performance is simply stunning and unforgettable. She may not have been the most beautiful 40s actress (Gene Tierney and Veronica Lake were more classic beauties imo), but if you look closely her ability to show the sweet, the vulnerable, and especially the wanton, in women has not been bettered. Somehow her character gets under the male viewer's skin in the same way as it does to the male characters in the film.
Modern film femme fatales are a pale shadow by comparison, for example Linda Fiorentino or Sharon Stone. I'm not sure why. It could be either that nowadays allure is too much equated with sex or nudity (less tantalising than several dashes of suggestion) or maybe it's that present day equivalents are portrayed as hard as nails without the necessary mix of sadness and vulnerability.
Whatever, if you've never appreciated what the appeal of 40s noir is, this is definitely one to try.