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Gilda (1946)

7.8
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Ratings: 7.8/10 from 16,604 users  
Reviews: 134 user | 75 critic

The sinister boss of a South American casino finds that his right-hand man Johnny and his sensuous new wife Gilda already know each other.

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(story), (adaptation), 2 more credits »
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Cast

Complete credited cast:
...
...
Johnny Farrell / Narrator
...
...
Det. Maurice Obregon
Steven Geray ...
Uncle Pio
Joe Sawyer ...
Casey
...
Capt. Delgado
Mark Roberts ...
Gabe Evans (as Robert Scott)
Ludwig Donath ...
German Cartel Member
Donald Douglas ...
Thomas Langford (as Don Douglas)
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Storyline

Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

"I didn't think I'd be true to a man again as long as I lived..." See more »


Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

15 March 1946 (USA)  »

Also Known As:

Djilda  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Rita Hayworth had to wear a corset while shooting "Put the Blame on Mame," as she had given birth to her first daughter, Rebecca Welles, months before filming. See more »

Goofs

At the airport scene, you can see hills in the background. In fact, the Buenos Aires' area is totally flat. See more »

Quotes

[first lines]
Johnny Farrell: To me a dollar was a dollar in any language. It was my first night in the Argentine and I didn't know much about the local citizens, but I knew about American sailors, and I knew I better get out of there.
See more »

Connections

Referenced in M*A*S*H: The Colonel's Horse (1976) See more »

Soundtracks

Amado Mio
by Allan Roberts and Doris Fisher
Sung by Rita Hayworth (dubbed by Anita Ellis) (uncredited)
See more »

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User Reviews

 
Steaming Up the Argentine
27 August 2006 | by (Buffalo, New York) – See all my reviews

Glenn Ford and Rita Hayworth made five films together, but when they are talked of as a screen team, it's only Gilda that people are really talking about. Their first film was before World War II, The Lady in Question where both are young Columbia contract players who were in the same film and no effort was made to bill them as a team. The Loves of Carmen which was made after Gilda was a disaster for Glenn Ford, though Rita was at her sexiest. Affair in Trinidad was a good effort to recapture the magic of Gilda after Rita's storm marriage to Aly Khan and the last film The Money Trap was a Glenn Ford film where Rita has a brief role as an old girl friend. She was the best thing in that film by far.

Do you remember in Cabaret how both the Liza Minnelli and Michael York characters find out they are sex partners to the same German bi-sexual man? That's essentially what happens in Gilda though with the Code firmly in place it's not something we talk about. George MacReady, a man of many interests rescues Glenn Ford from the docks of Buenos Aires after he's won some money from sailors in a crap game. They hit it off and Ford becomes his right hand man in running the casino MacReady operates.

Then MacReady brings home a wife and lo and behold it turns out to be an old girl friend of Ford's, Rita Hayworth. Add to that some Nazi refugees have some business with MacReady over some tungsten mines.

The real emphasis in this film is sex and personified by the best embodiment of sex ever on the silver screen. This film raked in a lot of dollars for Harry Cohn and Columbia Pictures. Hayworth, voice dubbed as usual, had a big number here in Put the Blame on Mame. It became a signature tune for her the rest of her life.

One thing did disappoint me about Gilda. For a story that took place in Buenos Aires who many say is the most beautiful city in the world, it would have been nice to see some location shots, even if it was just some newsreels to establish the time and place. The film might as well have been in Albuquerque.

But when you've got Rita to look at, it could be at the South Pole.


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