Duel in the Sun (1946) Poster


Jennifer Jones scraped and cut herself quite badly during the scene where she crawls over the rocks and dirt.
The film was nicknamed "Lust in the Dust", which would later serve as the inspiration for the film Lust in the Dust (1985).
The role of Pearl was originally written for Teresa Wright, as a departure from her girl-next-door image. However, pregnancy forced her to drop out.
David O. Selznick reportedly spent $2,000,000.00, an unheard of sum in 1946, on the promotion of this film.
David O. Selznick had originally intended this property as his artistic follow-up to Gone with the Wind (1939). He envisioned a lavish production with no expense spared, and ultimately he got his wish. Constant production delays, many caused by Selznick's meddling and the hiring and firing of as many as seven directors (including Selznick himself), as well as an extended editing period to cut the film from its original 26-hour running time, caused the budget to balloon to a then-horrifying sum of $6 million, plus an additional $2 million in marketing costs. Though the film eventually did turn a profit, it effectively marked the end of Selznick's career. However, he went on to produce prestige films such as The Paradine Case (1947), Portrait of Jennie (1948), The Third Man (1949) and A Farewell to Arms (1957).
This film's musical score was the subject of a famous soundstage exchange between producer David O. Selznick and composer Dimitri Tiomkin. When Selznick first heard Tiomkin's "love theme", he was visibly disappointed and admonished the composer, "You don't understand. I want real f**king music!" To which Tiomkin angrily replied, "You f**k your way, I f**k my way. F**k you - I quit!" Their differences were eventually patched up, and Tiomkin's music was used in the final film.
This film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE.
The British writing-directing team of Michael Powell and Emeric Pressburger were shown a pre-release screening of the film by producer David O. Selznick. Both were thoroughly unimpressed with the movie, but didn't want to offend Selznick by saying so. At the end of the film, when Gregory Peck and Jennifer Jones are crawling towards each other on a mountain and when they get near each other they both open fire, Pressburger turned to Powell and whispered, "What a pity they didn't shoot the screenwriter".
Because of its sexual content it was not released in Memphis, Tennessee until 1959.
According to the "Hollywood Reporter" of Oct. 13, 1944, when Niven Busch was set to have produced ((prior to David O. Selznick's involvement), the writer had John Wayne and Hedy Lamarr originally set for the leading roles.
Adjusted for inflation in 2013, the films US box office gross of $20,408,163 would be $410,714,300.
Producer & uncredited director David O. Selznick battled amphetamine addiction throughout production. His drug abuse exacerbated much of his erratic behavior during filming, including his constant demand for reshoots.
The "purity" medal that Walter Huston gives to Jennifer Jones is an Egyptian Magic Coin token, a form of the "Good Luck" token. These were produced starting around 1905 as one appears in a Sear's catalog then. Many more were produced in the 1920s, after the discovery of King Tut's tomb made news all over the world. One side has an Egyptian Pharoah and the other side has an Egyptian Sphinx and Pyramids. They are usually around 32mm in diameter and made of brass. Some are plated with silver or white metal.
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Film debut of Joan Tetzel.

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