Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.

Directors:

, (uncredited) | 5 more credits »

Writers:

(screenplay), (suggested by a novel by) | 1 more credit »
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Nominated for 2 Oscars. Another 1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
Jesse McCanles
...
...
Sen. Jackson McCanles
...
Scott Chavez
...
...
The Sinkiller
...
Sam Pierce
...
Lem Smoot
Joan Tetzel ...
Helen Langford
Tilly Losch ...
Mrs. Chavez
...
Vashti
Scott McKay ...
Sid
...
Mr. Langford
...
The Lover
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Storyline

When her father is hanged for shooting his wife and her lover, half-breed Pearl Chavez goes to live with distant relatives in Texas. Welcomed by Laura Belle and her elder lawyer son Jesse, she meets with hostility from the ranch-owner himself, wheelchair-bound Senator Jackson McCanles, and with lustful interest from womanising, unruly younger son Lewt. Almost at once, already existing family tensions are exacerbated by her presence and the way she is physically drawn to Lewt. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

FURIOUS, UNFORGETTABLE LOVE! (original print media ad - all caps) See more »

Genres:

Drama | Romance | Western

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

12 September 1947 (Mexico)  »

Also Known As:

King Vidor's Duel in the Sun  »

Box Office

Budget:

$8,000,000 (estimated)

Gross:

$20,400,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(roadshow)

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

David O. Selznick's constant rewrites of completed scenes and insistence on reshoots caused director King Vidor to quit and be replaced by William Dieterle, although Vidor and Selznick still remained friends. See more »

Goofs

At end of Jesse's conversation through the window with Sid, Jesse's right hand moves from the sill to inside the window. See more »

Quotes

Narrator: And this is what the legend says - a flower, known nowhere else, grows from out of the desperate crags where Pearl vanished. Pearl - who was herself a wild flower sprung from the hard clay, quick to blossom and early to die.
See more »

Connections

Referenced in Showman (1963) See more »

Soundtracks

Beautiful Dreamer
(uncredited)
Music by Stephen Foster
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Overproduced Western Epic Is A Guilty Pleasure!
25 March 2001 | by (U.S.A.) – See all my reviews

Everything about 'Duel in the Sun' is overripe: the music, the photography (those red sunsets a la GWTW), the strong emotions and the climactic duel on a blazing desert sun by the two mismatched lovers. Indeed, the excesses are almost operatic in proportion--and yet, a viewer can get caught up in this sprawling western rightly termed "Lust in the Dust" by some reviewers. The rampant sensuality of the steamy scenes between Peck and Jones are emphasized by Dimitri Tiomkin's luscious background score which becomes blistering and intense for the climactic shootout. Overproduced, overacted, overwritten--it still entertains and makes us appreciate the genius of David O. Selznick whose hand on all of the material is quite evident. Jennifer Jones was nominated for her tempestuous Pearl Chavez (but lost to Olivia de Havilland for 'To Each His Own'). Lillian Gish deserved her Oscar nomination. And last but not least, let's not forget Walter Huston, who gives the most realistic and enjoyable performance in the entire film as The Sin Killer--a wickedly funny portrayal. Weakest aspect of the film is Gregory Peck's easygoing villain--his whole performance strikes a false note and is not the least bit convincing. He and Joseph Cotten should have switched their roles--Cotten always made a more believable villain than Peck. Selznick obviously was striving to make a western on the level of GWTW--even including Butterfly McQueen for comic relief. All in all, fun to watch if you don't take any of it seriously. Not exactly a work of art--but definitely worth watching. And, oh, that ripe technicolor!


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