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Duel in the Sun (1946)

6.9
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Ratings: 6.9/10 from 5,472 users  
Reviews: 83 user | 31 critic

Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.

Directors:

, (uncredited) , 5 more credits »

Writers:

(screenplay), (suggested by a novel by), 2 more credits »
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Title: Duel in the Sun (1946)

Duel in the Sun (1946) on IMDb 6.9/10

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Nominated for 2 Oscars. Another 1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
Jesse McCanles
...
...
Sen. Jackson McCanles
Herbert Marshall ...
Scott Chavez
...
...
The Sinkiller
...
Sam Pierce
...
Lem Smoot
Joan Tetzel ...
Helen Langford
Tilly Losch ...
Mrs. Chavez
...
Vashti
Scott McKay ...
Sid
...
Mr. Langford
...
The Lover
Edit

Storyline

When her father is hanged for shooting his wife and her lover, half-breed Pearl Chavez goes to live with distant relatives in Texas. Welcomed by Laura Belle and her elder lawyer son Jesse, she meets with hostility from the ranch-owner himself, wheelchair-bound Senator Jackson McCanles, and with lustful interest from womanising, unruly younger son Lewt. Almost at once, already existing family tensions are exacerbated by her presence and the way she is physically drawn to Lewt. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

Emotions . . . As Violent As The Wind-Swept Prairie ! See more »

Genres:

Drama | Romance | Western

Certificate:

Unrated | See all certifications »
Edit

Details

Country:

Language:

Release Date:

12 September 1947 (Mexico)  »

Also Known As:

King Vidor's Duel in the Sun  »

Box Office

Budget:

$8,000,000 (estimated)

Gross:

$20,400,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(roadshow)

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This film's musical score was the subject of a famous soundstage exchange between producer David O. Selznick and composer Dimitri Tiomkin. When Selznick first heard Tiomkin's "love theme", he was visibly disappointed and admonished the composer, "You don't understand. I want real f**king music!" To which Tiomkin angrily replied, "You f**k your way, I f**k my way. F**k you - I quit!" Their differences were eventually patched up, and Tiomkin's music was used in the final film. See more »

Goofs

At end of Jesse's conversation through the window with Sid, Jesse's right hand moves from the sill to inside the window. See more »

Quotes

Scott Chavez: I plead no mitigating circumstances. They deserved to die, as I deserve to die. For I long since killed a person much superior to either of them - myself. I killed that person the day I gave my family's name to the woman who became my wife. And since I believe the punishment should fit the crime... I suggest you hang me by the neck until I am dead.
See more »

Connections

Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1998) See more »

Soundtracks

Beautiful Dreamer
(uncredited)
Music by Stephen Foster
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Hollywood epic filmed in the Southwest
27 April 2003 | by (San Jose, CA) – See all my reviews

This movie is like a painting by an old master that hangs in a museum--we may not be moved by it, but we can still appreciate the artistry. Its most notable feature is the director, King Vidor, master of silent film making. As you might expect, many of the important scenes have little or no dialog. In one scene between Lionel Barrymore and Lillian Gish, he rambles on about their life together, while she strains to get out of her sickbed and crosses slowly to him, the entire distance transfigured by the depth of her love for him. Gish was a great star of silent film, with a wonderful, expressive face, full of compassion and grace. In another scene that happens under quite different circumstances, Jennifer Jones crawls to Gregory Peck, the man she loves, also without words, evincing great sorrow and quiet dignity. In both cases, the women prove they are far more noble than the men who love them so badly. Jones also has a mobile face, together with a beautiful, resonant voice. No film that has these two ladies at its center should be missed. In addition, the film has two marvelous scenes that, at the time of its making, would have been just as impressive as some of today's special effects wonders: In the first, about 20 armed horsemen face a crowd of railway workers, including some chinese, clothed in authentic period dress, with a steam engine in the background. As the tensions mount, a troop of mounted cavalry, about 100 strong, ride onto the set, filmed on location (judging by the saguarros and ocatillos) in Arizona. This was a tour de force of filmmaking at a time when shooting on location was rare. In the second scene, a train under a full head of steam jumps the tracks and plows down an embankment. Filmed in early technicolor, this movie has lush exteriors and panoramas of rich desert color. Two more character actors should be mentioned, both of whom steal every scene they enter: Butterfly McQueen, the maid whose comments are both simple and profound, and Walter Huston, as the crusty sheriff who doubles as a preacher during a funeral.


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