When the fabled Star of Rhodesia diamond is stolen on a London to Edinburgh train and the son of its owner is murdered, Sherlock Holmes must discover which of his suspicious fellow passengers is responsible.
Sherlock Holmes investigates when young women around London turn up murdered, each with a finger severed off. Scotland Yard suspects a madman, but Holmes believes the killings to be part of a diabolical plot.
During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
A convicted thief in Dartmoor prison hides the location of the stolen Bank of England printing plates inside three music boxes. When the innocent purchasers of the boxes start to be murdered, Holmes and Watson investigate. Written by
Col Needham <firstname.lastname@example.org>
The first scenes show prisoners wearing clothes with wide arrows. Introduced in the 1870s the use of arrows ceased in 1922. See more »
One of the first principles in solving crime is to never disregard anything no matter how trivial.
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This movie's final credit sequence rolled over a scene of Basil Rathbone and Nigel Bruce leaving Dr. Johnston's house. This sequence was later removed by a TV distributor and has been replaced with a THE END frame from one of the earlier Sherlock Holmes films. See more »
This is a solid Sherlock Holmes mystery in the Basil Rathbone/Nigel Bruce series, with an interesting story, a good villainess, and a good pace once it gets going. Although, as with many movies in the series, the plot is not found in any of the original Holmes books, a number of the story elements were drawn or adapted from various Doyle stories. A number of times Watson also makes reference to one of the 'canonical' cases.
The setup is good, and it produces some interesting possibilities. Holmes must not only figure out a peculiar puzzle involving music boxes, but must do so in a race with a criminal gang that is trying to accomplish the same thing. Patricia Morison makes an elegant adversary for Holmes, and Rathbone and Bruce work well together as always.
Although these later movies in the series do not hold closely to the Victorian atmosphere of the originals, most of them are pretty good in their own right, and while this one mostly follows the usual formula, it is an enjoyable entry in the series.
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