IMDb > Double Dribble (1946)

Double Dribble (1946) More at IMDbPro »

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Director:
Writers:
Bill Berg (story) &
Milt Banta (story)
Contact:
View company contact information for Double Dribble on IMDbPro.
Release Date:
20 December 1946 (USA) See more »
Genre:
Plot:
It's the big college basketball game; everyone playing looks like Goofy, and he's the only fan of the visiting team P.U. | Add synopsis »
User Reviews:
Too Many Goofs On The Court See more (3 total) »

Cast

 
Pinto Colvig ... Goofy (voice)

Directed by
Jack Hannah 
 
Writing credits
Bill Berg (story) &
Milt Banta (story)

Produced by
Walt Disney .... producer
 
Original Music by
Oliver Wallace 
 
Animation Department
Andy Engman .... animator
Hugh Fraser .... animator
Yale Gracey .... layout artist
Maurice Greenberg .... background artist
Bill Justice .... animator
John Sibley .... animator
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
7 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)

Did You Know?

Trivia:
Most of the crew member names get used by the announcer, notably Hannah, Gracey, Sibley, Fraser, and Berg.See more »
Movie Connections:

FAQ

What movies feature games of wacky basketball?
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0 out of 1 people found the following review useful.
Too Many Goofs On The Court, 30 September 2002
Author: Ron Oliver (revilorest@juno.com) from Forest Ranch, CA

A Walt Disney GOOFY Cartoon.

It's DOUBLE DRIBBLE time as U. U. plays visiting P. U. for the all-important university basketball game.

Hoop fans will get the most enjoyment out of this little film which spoofs the popular sport. The animation is routine. The main difficulty with some of these Goofy sports cartoons is that the real Goofy never appears, leaving his myriad look-alikes to carry out the plot.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.

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