Genius authors Emily and Charlotte Bronte fall in love with their curate as they seek to get their work published.

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Cast

Complete credited cast:
...
...
...
...
Nancy Coleman ...
...
...
Victor Francen ...
Constantin Heger
Montagu Love ...
Rev. Bronte
...
Aunt Branwell
Edmund Breon ...
Sir John Thornton
Odette Myrtil ...
Mme. Heger
Doris Lloyd ...
Mrs. Ingraham
Marie De Becker ...
Tabby
Eily Malyon ...
Mrs. Thornton's Friend at the Ball
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Storyline

In Victorian England, literary siblings Emily and Charlotte Bronte vie for the affection of the Reverend Arthur Nichols. Along with their sister Anne, Emily and Charlotte also try to help their tormented brother Branwell, a gifted artist whose life is being destroyed by alcohol. Written by Daniel Bubbeo

Plot Summary | Add Synopsis

Taglines:

It tells ALL about those Brontë sisters!...They didn't dare call it love- they tried to call it Devotion See more »

Genres:

Biography | Drama

Certificate:

Approved | See all certifications »
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Details

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Release Date:

20 April 1946 (USA)  »

Also Known As:

Afosiosis  »

Company Credits

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Technical Specs

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on February 17, 1947 with Ida Lupino reprising her film role. See more »

Goofs

It is not explained how the very English curate Arthur Bell Nicholls speaks with a Germanic accent. See more »

Quotes

Charlotte Bronte: I know nothing. I understand nothing. And yet, I have dared to write 200,000 words about life!
[tosses manuscript on floor]
See more »

Crazy Credits

Dame May Whitty's name is spelled incorrectly in the opening credits. It is spelled as follows - "Dame Mae Whitty" - using the spelling the same way that Mae West spelled her name, (with an E, and not a Y). This is a terrible blunder for such a highly respected actress. See more »

Connections

Featured in Between Two Worlds: Erich Wolfgang Korngold (2001) See more »

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User Reviews

 
Not bad, but it's perhaps telling that Warners let this sit on the shelf for three years
5 January 2008 | by (Bradenton, Florida) – See all my reviews

While this movie came out in 1946, it was made in 1943 and the studio apparently shelved it due to a contract dispute with Miss DeHavilland. I wonder if perhaps it was also shelved because the film was a bit of a mess.

I must point out at the onset that I am not a huge fan of Hollywood bio-pics from the Golden Age. Most of this is because I am a history teacher and the studios (in particular Warner Brothers) generally played very fast and loose with the truth. In so many ways, the story is a very warped view of the truth, as the studio was much more interested in selling tickets than telling the audience about this very complex family. In many ways, the leading characters are more like cartoon characters and they behave very inconsistently--such as the curate's romance with Charlotte that just appeared out of nowhere.

Now if you ignore the distortions (and there are many) and you ignore occasionally one-dimensional writing, you are left with some decent actors wearing pretty clothes running about nice sets and it's all set to lovely music. Olivia DeHavilland was given just awful dialog and came off as a head-strong and fickle lady--too much to have been a great lady or world famous author. Arthur Kennedy was a complete rotter and that actually wasn't too far from the true character. And of all the siblings, Ida Lupino (as Emily) came off best--as a more fully developed and rational person.

Entertaining, perhaps, but the film made me long for an honest and realistic portrayal--not a jumble of confusing characters and motivations. Also, based on the way her part was written, I could understand why Miss DeHavilland sued to get out of her contract after completing this film!! Great actress--lousy part.

UPDATE: I received an email from Doylenf indicating that it is probable that the film was held due to DeHavilland's contract problems with Warner Brothers. This makes a lot of sense, as the studio was incensed when she fought in court (and eventually won) to end the studio system that forced actors to accept whatever their bosses demanded (giving them no choice in projects). Thanks Doylenf.


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