IMDb > Decoy (1946)

Decoy (1946) More at IMDbPro »

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Director:
Writers:
Nedrick Young (screenplay)
Stanley Rubin (story)
Contact:
View company contact information for Decoy on IMDbPro.
Release Date:
14 September 1946 (USA) See more »
Tagline:
She Treats Men the Way They've Been Treating Women for Years!
Plot:
A mortally wounded female gangster recounts how she and her gang revived an executed killer from the gas chamber, to try and find out where he buried a fortune in cash. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
DECOY (Jack Bernhard, 1946) *** See more (39 total) »

Cast

  (in credits order) (verified as complete)
Jean Gillie ... Margot Shelby (as Miss Jean Gillie)
Edward Norris ... Jim Vincent
Robert Armstrong ... Frank Olins
Herbert Rudley ... Dr. Craig

Sheldon Leonard ... Sgt. Joe Portugal
Marjorie Woodworth ... Nurse
Philip Van Zandt ... Tommy (as Phil Van Zandt)
Carole Donne ... Waitress
John Shay ... Al
Bert Roach ... Bartender
Rosemary Bertrand ... Ruth
rest of cast listed alphabetically:
Walden Boyle ... Chaplain (uncredited)
Martin Cichy ... Policeman (uncredited)
Franco Corsaro ... Kelsey (uncredited)
Madge Crane ... 1st Visitor (uncredited)
Dick Elliott ... Driver (uncredited)
Virginia Farmer ... Maid (uncredited)

Pat Flaherty ... Policeman (uncredited)
Jody Gilbert ... Fat Woman (uncredited)
Chuck Hamilton ... Prison Guard (uncredited)
Betty Lou Head ... 2nd Visitor (uncredited)
Donald Kerr ... Elevator Operator (uncredited)
Louis Mason ... Thin Attendant (uncredited)
Austin McCoy ... Piano Player (uncredited)
Don McCracken ... Prison Guard (uncredited)
Kenneth Patterson ... Joe (uncredited)
Albert Petit ... Waiter (uncredited)
William Ruhl ... Guard (uncredited)
Scott Seaton ... Prison Attendant (uncredited)
William Self ... Station Attendant (uncredited)
Ferris Taylor ... Fat Attendant (uncredited)

Ray Teal ... Policeman (uncredited)
Harry Tyler ... Counterman (uncredited)

Directed by
Jack Bernhard 
 
Writing credits
Nedrick Young (screenplay) (as Ned Young)

Stanley Rubin (story)

Produced by
Jack Bernhard .... producer
Bernard Brandt .... producer
 
Cinematography by
L. William O'Connell (director of photography) (as L.W. O'Connell)
 
Film Editing by
Jason H. Bernie  (as Jason Bernie)
 
Makeup Department
Lorraine MacLean .... hair stylist
Milburn Morante .... makeup artist (as M. Morante)
 
Production Management
Glenn Cook .... production manager
 
Second Unit Director or Assistant Director
William A. Calihan Jr. .... assistant director (as Wm. Callihan)
 
Art Department
Dave Milton .... set designer
 
Sound Department
Tom Lambert .... sound recordist
 
Visual Effects by
Mario Castegnaro .... transparency projection shots (uncredited)
Larry Glickman .... special optical effects (uncredited)
 
Music Department
Edward J. Kay .... musical director
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
76 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Mirrophonic Recording)
Certification:
USA:Approved (PCA #11768, Adult Audience)

Did You Know?

Trivia:
Director Jack Bernhard met wife Jean Gillie in England, where he was stationed during WWII. He intended this film as a vehicle to showcase her to American audiences, but they divorced a short while later, and she did only one other film before her early death at age 33.See more »
Goofs:
Boom mic visible: As the camera dollies up on Sgt. Portugal as he reads the note taken from the money box, you can clearly she the shadow of the boom microphone go across his face.See more »
Quotes:
Sergeant Joe Portugal:Don't let the face of yours go to your head.
Margot Shelby:Or to yours?
Sergeant Joe Portugal:It would matter if did... People who use pretty faces like you use yours, don't live very long anyway.
See more »
Movie Connections:
Featured in Decoy: A Map to Nowhere (2007) (V)See more »

FAQ

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7 out of 10 people found the following review useful.
DECOY (Jack Bernhard, 1946) ***, 18 July 2008
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

Given this film’s rarity (it went unseen for 30 years), I guess even self-confessed film nuts could be excused for never having heard of it – that is, until its announcement as part of Warners’ fourth “Film Noir Collection” on DVD. While some of the pairings in that 10-Movie 5-Disc Set were done without rhyme or reason – and it had seemed to me to be so here as well! – the film actually had a connection to its companion piece, CRIME WAVE (1954; which I’ve just watched a couple of days ago), via the credit on both of blacklisted scriptwriter/actor Nedrick Young (he appeared in the latter but only wrote DECOY).

Being a Monogram production, the film wears its Poverty Row status on its sleeve – with a bizarre plot (involving the re-animation of the dead: this has to be the only vintage crime outing to take the genre into the realm of sci-fi!), gritty look and second-rate cast – but which it generally manages to turn in its favor. In my review for CRIME WAVE itself, I had written how surprised I was that the film proved to be so good – this, then, came as even more of a shock (joining the ranks of such ramshackle ‘B’ noir gems as DETOUR, DILLINGER {both 1945} and GUNMAN IN THE STREETS [1950])! The film was devised as a showcase for British actress Jean Gillie by her husband, director Bernhard – however, the couple would divorce soon after and (even more sadly) Gillie herself would be dead of pneumonia in just a couple of years’ time! Still, hers is one of the most unscrupulous femme fatales ever conceived – ensnaring practically the entire male cast in her obsessive pursuit of money – and which she plays in a slightly overstated (but, under the circumstances, entirely fitting) manner.

The rest of the cast includes Edward Norris as Gillie’ crooked associate, Robert Armstrong as her ageing gangster boyfriend currently on Death Row and the only one who knows the location of a stashed cache' containing $400,000, Herbert Rudley as the small-town doctor enticed by Gillie into her unholy revivification scheme, and Sheldon Leonard as the cagey and dogged cop on their trail. Norris is somewhat stiff, while Armstrong (the original Carl Denham of “King Kong” fame) brings his typical zest to the role of love-struck and over-the-hill duped mobster – but both Rudley (bemoaning his betrayal of the code governing his profession) and Leonard (secretly enamored of Gillie himself, he’s willing to answer her plea at the moment of death to “stoop to her level”…but she just laughs in his face!) match the lady’s display of cool elegance disguising an essentially hard-boiled nature. Incidentally, Gillie’s character anticipated such celebrated noir bad girls of the ‘deadly sweet’ variety as Jane Greer in OUT OF THE PAST (1947) and Peggy Cummins (coincidentally, another British actress) in GUN CRAZY (1950) – but also Gaby Rodgers in KISS ME DEADLY (1955) in view of her similar histrionic outburst when finally laying hands on the long sought-after object of contention.

Unfortunately, it’s been revealed that the print of DECOY utilized for the DVD is slightly censored: one of the main characters is trampled no less than three times by a car which has Gillie at the wheel – however, we only get to see this once in the current version! For the record, Bernhard (whose first directorial effort this was) had been an executive at Universal – responsible for such popular ‘B’ horror outings as HORROR ISLAND and MAN-MADE MONSTER (1941; which I still haven’t managed to check out!). Finally, I’m to follow DECOY with another noir of his – the evocatively-titled BLONDE ICE (1948), via the “Special Edition” released by VCI…

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