6.9/10
1,160
43 user 17 critic

Decoy (1946)

Approved | | Crime, Drama, Film-Noir | 14 September 1946 (USA)
A mortally wounded female gangster recounts how she and her gang revived an executed killer from the gas chamber, to try and find out where he buried a fortune in cash.

Director:

Writers:

(screenplay) (as Ned Young), (story)
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Cast

Complete credited cast:
...
Margot Shelby (as Miss Jean Gillie)
...
...
...
Dr. Lloyd L. Craig
...
Police Sgt. Joe Portugal
...
Craig's Nurse
...
Tommy (as Phil Van Zandt)
Carole Donne ...
Waitress
John Shay ...
Al
...
Mack - Bartender
Rosemary Bertrand ...
Ruth
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Storyline

Gangster Frank Olins is to die in the gas chamber much to the dismay of his girlfriend Margot Shelby as he is carrying the secret of the location of $400,000 with him. Margot seduces gangster Jim Vincent to get him to engineer the removal of Olins' body from the prison immediately after he dies in the gas chamber. She takes prison doctor Craig away from his nurse/girl friend and gets him to administer an antidote for cyanide gas poisoning. During the removal of Olins' body, the hearse driver is killed by Tommy. The revived Olins gives Margot half of a map showing the money location and Vincent, in a fit of jealousy, kills Olins and takes the other half. Because the doctor's plates on his car will get them through the police roadblocks, Vincent and Margot take him with them on the money hunt. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

She Treats Men the Way They've Been Treating Women for Years!


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 September 1946 (USA)  »

Also Known As:

A Mulher Dillinger  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Director Jack Bernhard met wife Jean Gillie in England, where he was stationed during WWII. He intended this film as a vehicle to showcase her to American audiences, but they divorced a short while later, and she did only one other film before her early death at age 33. See more »

Goofs

When Dr. Craig, Margot, and Jim are stopped police road block on a lonely dark road, and they leave a cut back to the inside of the car, it reveals through the back window they are still in the well lit city, with no road block behind them. See more »

Quotes

Sergeant Joe Portugal: [Reading a note] To you who double-crossed me... I leave this dollar for your trouble. The rest of the dough, I leave to the worms.
See more »

Connections

Featured in Film Noir: Bringing Darkness to Light (2006) See more »

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User Reviews

 
'Margot' Is One Mean, Money-Hungry 'Mother'
4 September 2007 | by (United States) – See all my reviews

This movie, recently made available through a set of film noirs (Volume 4) packaged with two on each disc, gets points for originality. I mean, how many movies - much less film noirs - do you see someone executed, then brought back to life, then shot in the back minutes later? Now that's what you call having a rough day!

Robert Armstrong's "Frank Olins" had to endure all that one day. He's the crook who has the money stashed away somewhere and "Margot Shelby" (Jean Gille) is the woman who is bound-and-determined to get it - all of it. "Frank" claims a few times that if he isn't going get the money when he gets out of jail, nobody will and those aren't words that "Margot" wants to hear! Frank knew this dame and other members of his gang, most notably "Jim Vincent" (Edward Norris) were not trustworthy.

Well, he certainly was right about "Margot." She's the femme fatale - one mean mother - who has only one thing on her mind: money. She never wants to return to her old, poor, dingy ways of her youth in small town England. Now, she's in America, part of gang and she knows how to manipulate men. Of course it helps to be extremely pretty and have a great body, which she does. She plays the men and, well.....like most noirs, the ending is not particularly a happy one for most of the characters in this story.

Personally, in this film I enjoyed seeing a lot of familiar faces from TV programs and such of the 1950s, beginning with a young Sheldon Leonard who plays the tough, pursing cop in this movie. I also thought Armstrong sounded a lot better than in his early '30s adventure stories. Speaking of sound, the music in here was ill-timed, dominating some scenes which took away from the dialog.

Make no mistake, though: this is Gilles' movie. For classic movie fans and particular film noir buffs, this is worth checking out. It's always fun to see a new "face," and that certainly applies to Gillis, whose character reminded me a bit of Peggy Cummins' one in "Gun Crazy."

I thought the ending of this film - the final minute - was especially good. So many times, you get the ending that doesn't stay true to the main character, but this one did.


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