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Deception (1946)
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Overview
User Rating:
Release Date:
18 October 1946 (USA) moreTagline:
THE STAR OF 'STOLEN LIFE' STEALS ANOTHER LIFE! (original ad - all caps) morePlot:
Music teacher Christine Radcliffe thought Karel Novak to have been killed in the war. She loves him more than ever and insists they marry... more | add synopsisUser Comments:
A way underrated treasure moreCast
(Complete credited cast)| Bette Davis | ... | Christine Radcliffe | |
| Paul Henreid | ... | Karel Novak | |
| Claude Rains | ... | Alexander Hollenius | |
| John Abbott | ... | Bertram Gribble | |
| Benson Fong | ... | Jimmy, Hollenius' Servant |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
110 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Sound System)Fun Stuff
Trivia:
Paul Henreid's cello-playing was dubbed by Eleanor Aller (Mrs Felix Slatkin) while she was pregnant with Frederic Zlotkin. Her father, Gregory Aller, coached Henreid in plausible bow movements. moreGoofs:
Continuity: At the end of the film, after Karel Novak has played the Hollenius Cello Concerto and is receiving an ovation, as he acknowledges the applause, his cello mysteriously appears and disappears. In the close ups as he takes his bow, he has it, but when the camera cuts to him in long shot, it is missing. moreQuotes:
Alexander Hollenius: [snatches his bleeding hand away from Christine Radcliffe] Like all women: white as a sheet at the sight of a couple of scratches... but calm and smiling as a hospital nurse in the presence of a mortal wound... Good night! moreSoundtrack:
Impromptu, Op. 142, No. 2 in A Flat Major moreFAQ
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How did I never come across Deception (1946) before? It's got to be Claude Rains' most delicious role. He absolutely has a blast playing the grand, tyrannical, jealous composer who hates giving Bette up to Paul Henreid, her former lover who has just returned from Europe at the end of the war. Both men are wickedly jealous of each other. The scene where the great composer unexpectedly arrives at Bette's and Paul's festive wedding party at her great loft apartment overlooking the river in New York (modeled on Leonard Bernstein's apartment) and trades poisonous banter with Bette and Paul makes the movie worth it by itself. But every scene is a gem, such as the scene where Claude takes them to a haute cuisine French restaurant and spends 10 minutes going back and forth over whether to order pheasant, trout, or saddle of lamb and whether to go with a Hermitage or a Vosne Romanee wine. This is some of the sharpest, wittiest dialogue I've seen in a movie, rivaling Ernst Lubitsch and every bit as good as in All About Eve. Oh, and I forgot to mention the amazingly good symphony performance scenes, with an original cello concerto by Korngold, ("played" by Henreid with the arms of two real cellists reaching in from either side to play the instrument). And Bette, a trained pianist, playing Beethoven at her wedding party (she really wanted to play it herself but Jack Warner decided against it but you can see she knows what she's doing in fingering the keys). If you haven't seen it, do check it out.