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Storyline
Music teacher Christine Radcliffe thought Karel Novak to have been killed in the war. She loves him more than ever and insists they marry. At their reception her benefactor and former lover offers Karel the chance to solo his new cello concerto. Hollenius torments Christine and she shoots him. The concert is a success and Karel promises to stand by Christine. Written by
Ed Stephan <stephan@cc.wwu.edu>
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Taglines:
SEE IT NOW! See Her Greatest!
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Did You Know?
Trivia
Paul Henreid could not play the cello. While he was able to fake it in the long shots, to achieve the illusion in close up, he wore a special jacket with no sleeves and holes for two real cellists to insert their arms - one to bow, and one to accurately finger the music - while seated behind him, out of shot.
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Goofs
At the end of the film, after Karel Novak has played the Hollenius Cello Concerto and is receiving an ovation, as he acknowledges the applause, his cello mysteriously appears and disappears. In the close ups as he takes his bow, he has it, but when the camera cuts to him in long shot, it is missing.
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Quotes
Alexander Hollenius:
[
snatches his bleeding hand away from Christine Radcliffe]
Like all women: white as a sheet at the sight of a couple of scratches... but calm and smiling as a hospital nurse in the presence of a mortal wound... Good night!
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Crazy Credits
Original Music and Hollenius' Cello Concerto by Erich Wolfgang Korngold
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Soundtracks
"Egmont Overture in F minor, Op. 84"
Music by
Ludwig van Beethoven
Played when Karel meets Christine backstage after the concerto
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One of the few actors of Bette Davis' time who could match her screen intensity was Claude Rains. Paul Henreid is paired with Davis as her true love for another convincing romance. But, the script-stealing scene is between Davis and Rains. Matched penultimately perfect for the picture, Davis and Rains match each other's most intense acting skills during a major bedroom blow-out between them. I live to watch that scene over and again for its acting mastery.
Since Deception is about three classical music artists, the classical music score makes Deception's choice script musically enhanced to a classy degree. I love how Rains takes "the 4th Warner Brother's" acting intensity and levels it with his own. Even Bogie couldn't do that when staged with Davis! Don't miss this tightly wound triangulation with Henreid underplaying himself as his role calls for.