A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a detective in solving the case. Through a series of tests, he discovers which twin actually committed the crime and in the course of his investigation he falls in love with the normal twin. Written by
Neil Doyle <Doylenf@msn.com>
"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on March 31, 1950 with Olivia de Havilland reprising her film role. See more »
When Ruth is talking to her sister Terry, who is in bed, the mirror shows a reflection of her sister with a picture above her bed. When you look at a straight shot before and after you can see that there is just a wallpapered wall behind her. Later on in the movie, you are able to see a picture above Terry's bed and Ruth's bed, this time correctly matching the mirror. See more »
The film is a little bit light, with a bumbling detective played by Thomas Mitchell and vintage Freudian psychoanalysis presented by Lew Ayres, but the twin sister role, one a good girl the other very bad, played by Olivia De Havilland has its moments. Her soft voice can go either direction, sweet and innocent or cold and devious, and the scenes where she is playing both parts, essentially talking to herself, convey a split personality, which might not have been such a bad idea, instead of making two distinct persons. It reaches a zenith in one scene in their dark bedroom with the innocent twin tormented by the mean one, who's telling her to take her sleep medication, and who in fact would like to see her overdose. Freudianism and bungling detective work win out in the end, making this all seem too convenient, and dodging a lot of the possibilities, but the central part, or parts, is DeHavilland at her best.
19 of 22 people found this review helpful.
Was this review helpful to you?