7.1/10
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The Dark Mirror (1946)

Approved | | Crime, Drama, Film-Noir | 18 October 1946 (USA)
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.

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Writers:

(written for the screen by), (original story)
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
Dr. Scott Elliott
...
Police Lt. Stevenson
...
Rusty
Charles Evans ...
Dist. Atty. Girard
Garry Owen ...
Franklin (as Gary Owen)
Lela Bliss ...
Mrs. Didriksen
...
George Benson
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Storyline

A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a detective in solving the case. Through a series of tests, he discovers which twin actually committed the crime and in the course of his investigation he falls in love with the normal twin. Written by Neil Doyle <Doylenf@msn.com>

Plot Summary | Plot Synopsis

Taglines:

When he called her "killer"... and took her twin in his arms... Did he know which was which? See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

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Release Date:

18 October 1946 (USA)  »

Also Known As:

Der schwarze Spiegel  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although the name pendants, monogram dressing gowns and brooches are swapped for plot purposes, Terry is consistently left-handed and is the only one who smokes. See more »

Goofs

When Dr. Elliott is sitting on the leather couch in his apartment talking to Lt. Stevenson, a moving shadow (from something above like a boom mic) appears on the lamp behind the doctor. See more »

Quotes

Dr. Scott Elliott: Not even nature can duplicate character, not even in twins.
See more »

Connections

Referenced in I, Robot (2004) See more »

Soundtracks

Frankie & Johnny
Music by Hughie Cannon (uncredited)
Played on the cigarette music-box in the Collins sisters' apartment
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User Reviews

 
Lemon Drops and Dopplegangers.
17 September 2013 | by (United Kingdom) – See all my reviews

The Dark Mirror is directed by Robert Siodmak and adapted to screenplay by Nunnally Johnson from a story by Vladimir Pozner. It stars Olivia de Havilland, Lew Ayres, Thomas Mitchell, Richard Long and Charles Evans. Music is by Dimitri Tiomkin and cinematography by Milton Krasner.

A man appears to have been murdered by one of the identical twin Collins sisters, but both of whom have an alibi. The police and the psychiatrist have their work cut out...

Straight out of the corner of postwar Hollywood that began to take fascination with mental illness, The Dark Mirror triumphs more as a technical exercise than as anything resembling thought provoking analysis. The simplistic Freudian elements aside, film is impressively mounted and performed by Siodmak and de Havilland respectively. Story follows the trajectory of a cat-and-mouse game, with the makers nicely putting us the viewers into the same struggle the authorities have in sussing out which sister is the damaged killer.

Siodmak's (The Spiral Staircase) attention to detail and grasp of mood setting really lifts the piece to greater heights. Aided by the considerable photographic skills of Krasner (The Set-Up), Siodmak creates a world of psychological disturbance, a place aligned with suspense and symbolism. Right from the doozy of an opening scene to the denouement, Siodmak manages to keep the contrivances to the rear of the play and let de Havilland and the visual textures be the prime focus.

The effects work is very good, with de Havilland having to quite often play off against herself. Sure in today's age of High Definition et al, you don't have to stretch your viewing experience to see how the effects were done, but why would you? Just enjoy de Havillland's riveting performances in the dual roles (see also her excellence in The Snake Pit two years later), her skillful little subtleties as she deftly plays out the respective psychological traits of sibling rivalry gone astray.

Is it a gimmick movie? Well no not really, it's honest about what it wants to achieve in terms of psychiatric observations and treatments. Yet lesser lights than Siodmak, Krasner and de Havilland would have struggled to make it work, especially as the romance angle in the screenplay nearly derails the requisite mood come the finale. Thankfully, in spite of some obvious negatives, it's still well worthy of viewing investment. 7/10


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