A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a ... See full summary »
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
Based on a famous stage play and set in the year 1912, an upper crust English family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has ... See full summary »
After attorney Frank Girard is murdered, Detective Al Church (Vincent Gardenia) suspects that Ms. Leigh Cullen (Jane Seymour) is the perpetrator, as she was supposedly last seen with the ... See full summary »
A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a detective in solving the case. Through a series of tests, he discovers which twin actually committed the crime and in the course of his investigation he falls in love with the normal twin. Written by
Neil Doyle <Doylenf@msn.com>
Lt. Stevenson warns the sisters about a Rube Goldberg defense. This refers to the Pulitzer prize winning author and cartoonist (1883-1970) famous for his diagrams of complicated machines that perform simple tasks. He inspired Rube Goldberg Machine Contests that feature heavily on Youtube. See more »
When Dr. Elliott is sitting on the leather couch in his apartment talking to Lt. Stevenson, a moving shadow (from something above like a boom mic) appears on the lamp behind the doctor. See more »
Those were the days.Every director had his Freudian movie during the glorious forties:Hitchcock had " spellbound",Lang "secret beyond the door" Tourneur "cat people".... and Siodmak "the dark mirror".and it stood the test of time quite well ,almost as much as the three works I mention above.Of course ,the film owes a lot to Olivia de Havilland's sensational rendition,well half a century before Jeremy Irons' "dead ringers" or Keaton's "multiplicity".We run the whole gamut, as Siodmak brought out all his equipment :inkblood test, lie detector,mirror,and the whole kit.But De Havilland's charisma -at a time when actresses mastered their audience-survives and remains intact.We often feel ill-at-ease when we do not know who we're watching anymore(she plays twin sisters who are suspects in a criminal affair).De Havilland was perfect when it came to portraying ambiguous women (see also "My cousin Rachel")
Robert Siodmak had an eventful career:after his debut in Germany,he made some works in France ("Pièges" (1939) is the best and deserves to be watched)then came to America where he made remarkable thrillers ("the spiral staircase";"the killers").His career ended in Europa with interesting -but difficult to see- movies about Nazism ,but the only one of those late movies we can see now is "Katia" (1959),pure schmaltz
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