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Dangerous Millions (1946)

 -  Drama  -  27 November 1946 (USA)
5.5
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Ratings: 5.5/10 from 16 users  
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A shipping magnate hatches a plan for testing the worth of his heirs, none of whom he has ever seen. He summons them all to China, and lays psychological and physical snares in the part of ... See full summary »

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(screenplay), (story), 2 more credits »
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Title: Dangerous Millions (1946)

Dangerous Millions (1946) on IMDb 5.5/10

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Cast

Complete credited cast:
Kent Taylor ...
Dona Drake ...
Elena Valdez
Tala Birell ...
Sonia Bardos
Leonard Strong ...
Bandit Chieftain
Rex Evans ...
Lance Warburton
Robert Barrat ...
Hendrick Van Boyden (as Robert H. Barrat)
Konstantin Shayne ...
Prof. Jan Schuyler
Otto Reichow ...
Nils Otter
Rudolph Anders ...
Rudolph Busch
Franco Corsaro ...
Alfredo Charles
Henry Rowland ...
Leo Turkan
Victor Sen Yung ...
Lin Chow (as Victor Sen Young)
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Storyline

A shipping magnate hatches a plan for testing the worth of his heirs, none of whom he has ever seen. He summons them all to China, and lays psychological and physical snares in the part of each. Finding none of them worthy, he dismisses them all but does promise financial backing for an airline to Jack Clark (Kent Taylor.) Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

millionaire

Genres:

Drama

Certificate:

Approved
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Details

Country:

Language:

Release Date:

27 November 1946 (USA)  »

Also Known As:

The House of Tao Ling  »

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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User Reviews

Lively B movie.
16 July 2006 | by (Australia) – See all my reviews

This now forgotten production line support had many of the qualities that once made the mass produced Hollwood entertainment compelling. I remember this from my early viewing, among a parade of often more ambitious product.

It has the strip cartoon - serial imagery and subject matter that TV would imitate but never manage to mass produce in this manner. Kent Taylor in his bomber jacket is very "Terry and the Pirates" and the plot with secret identities, hidden rooms, exotic locations and the threat of hideous tortures administered by fiendish orientals offered all the matinée delights a youthful viewer would look for.

Seen again now it is simple minded but it's self confidence bolstered by major studio production values - even if they are jammed into a small budget - does engage. And it's acquired added nostalgia value.


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