Art curator George Steele experiences a train wreck...which never happened. Is he cracking up, or the victim of a plot?

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Cast

Complete credited cast:
...
...
...
Traybin
...
Dr. Lowell
...
Cochrane
Dean Harens ...
Reynolds
Damian O'Flynn ...
Stevenson
Erskine Sanford ...
Barton
Mary Ware ...
Mary
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Storyline

George Steele, art curator at a small museum, has an apparent mental breakdown one night, convinced he was in a train wreck...which never happened. In flashback, shortly after proposing to x-ray some old master paintings the museum has on loan, Steele is called on an unplanned nocturnal train trip. He suddenly sees another train ahead, speeding toward his... Is George indeed cracking up, or is there a plot to discredit him? The mystery grows murky with shadowy menace... Written by Rod Crawford <puffinus@u.washington.edu>

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Plot Keywords:

train | museum | art curator | art | x ray | See All (94) »

Taglines:

TOO INTERESTING ..FOR SAFETY! The startling story of a mind that lost itself...of a man who couldn't forget a kiss...couldn't remember a KILLING! (original poster) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

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Release Date:

6 September 1946 (USA)  »

Also Known As:

Galveston  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The ship Pat O'Brien goes to is riding so high at the dock that it is obviously empty, even though it is due to sail at 1:00 a.m. with a cargo. See more »

Quotes

Terry Cordell: Wouldn't it be smarter to go to Cochrane and get this thing out in the open?
George Steele: About as smart as cutting my throat to get some fresh air.
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User Reviews

 
Overlooked Film-Noir At Times Both Visually and Verbally Mesmerizing
11 May 2014 | by (United States) – See all my reviews

Atmospheric both in Visual Style and Dialog this Film-Noir is One that was Made just at the End of WWII and there are many Lines that Cynically Reference the Conflict with a Snap-Patter that is a Noir Trademark. There are Many Noir Flourishes to Enjoy in this Murky Plot. Amnesia, Drug Induced Mind Control, Low-Brow Settings like a Penny Arcade in Mix with High-Brow Museum Art.

Pat O'Brien does His best as a Slightly Miscast and Overaged Lover that Requires some Physical and Emotional Stretches. But when He is not Romanticizing or Climbing Walls, it Works.

The Highlights of the Film are Noir. The Surreal Train Sequences, the Creepy Docks, and the Night Time Exteriors are Layered in Shadows and Render Foreboding Scenes. A Strong Cast and and a Visually Arresting Movie with some Great Quotable Noir Dialog Elevate this Above a Muddled Plot. It is a Crackerjack Film-Noir and One that has been Mostly Ignored and Given Only Cursory Consideration.

Note...Film-Noir was an Organic Style that was Subconsciously Spawned Unknowingly by its Creators in a Collective Conceit Formed Unintentionally by the Artists who Drew from the Ether and Manifested a Sub-Genre of Movie-Making that has Endured. It is was not Pre-Fabricated and that Honesty is Forever On Display in a Genre, that was only Realised After the Fact, and it took French Film Critics to Piece it Together and Fans have been Thankful Ever Since.


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