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Cloak and Dagger (1946)

Approved  |   |  Romance, Adventure, Thriller  |  28 September 1946 (USA)
6.6
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Ratings: 6.6/10 from 1,478 users  
Reviews: 26 user | 26 critic

Toward the end of World War II, the allied secret service receives a partial message indicating that the Germans are researching nuclear energy to build atomic bombs. In Midwestern ... See full summary »

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(screenplay), (screenplay), 4 more credits »
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Title: Cloak and Dagger (1946)

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Cast

Complete credited cast:
...
Robert Alda ...
...
Vladimir Sokoloff ...
Polda
J. Edward Bromberg ...
Trenk
Marjorie Hoshelle ...
Ludwig Stössel ...
The German (as Ludwig Stossel)
Helene Thimig ...
Katerin Lodor (as Helen Thimig)
Dan Seymour ...
Marsoli
...
Luigi
James Flavin ...
Col. Walsh
Patrick O'Moore ...
The Englishman (as Pat O'Moore)
Charles Marsh ...
Erich
Rest of cast listed alphabetically:
Michael Burke ...
OSS Agent (scenes deleted)
Robert Coote ...
Cronin (scenes deleted)
Edit

Storyline

Toward the end of World War II, the allied secret service receives a partial message indicating that the Germans are researching nuclear energy to build atomic bombs. In Midwestern University, the scientist Alvah Jesper is called up by the Office of Strategic Services (OSS) to meet his former colleague Dr. Katerin Lodor in Switzerland and bring her to North America. However, his mission fails and Dr. Lodor is killed by the Nazis but first she informs that Alvah's acquaintance Dr. Giovanni Polda is working for the Nazis in Italy. Dr. Jesper travels to Italy and with the support of the Italian partisans leaded by Pinkie and Gina, he has a meeting with Dr. Polda that is under the surveillance of the Gestapo. The scientist tells him that his daughter Maria had been abducted by the Gestapo and Alvah makes a deal with Dr. Polda, promising to release Maria first and bringing them to North America. While Pinkie travels to rescue Maria, Alvah stays with Gina and they fall in love for each ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The moment he fell in love was his moment of greatest danger! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

28 September 1946 (USA)  »

Also Known As:

A capa y espada  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Due to military intelligence and secrecy reasons, American Hollywood Studios were prevented by the US Government from mentioning the OSS (the Office of Strategic Services) in movies during World War II. However, this movie was first released in September 1946 which was after the end of World War II, hence explaining why the OSS was mentioned in this movie. See more »

Crazy Credits

Closing credits epilogue: This picture has been inspired by the amazing achievements of the OSS, but no part of it is intended as a portrayal of actual events. The story, names, characters and events depicted are wholly fictitious. If there is any similarity between them and any persons, living or dead, or any events which may have happened, it is entirely coincidental. See more »

Connections

Spoofed in Top Secret! (1984) See more »

Soundtracks

Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325
(uncredited)
Music by Johann Strauß
Hummed and danced by Gina in the apartment
See more »

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User Reviews

 
I Spy Romance
19 September 2009 | by See all my reviews

This WW2 espionage yarn gets off to a slow start but picks up steam after the action shifts to Italy and Palmer enters the picture as Cooper's love interest. Cooper acts with his usual awkwardness but in this case his uneasiness is well suited to the role of a scientist out of his element. As an Italian resistance fighter, Palmer gives a wonderfully natural performance. Although the opening credits oddly indicate that this is her film debut, she had been acting for a decade. The best parts of the film are her scenes with Cooper. The fight scene between Cooper and Lawrence is reminiscent of Hitchcock. Lang made this at the time when he was at the peak of his creative powers.


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