5.4/10
149
8 user

Cinderella Jones (1946)

Approved | | Comedy, Musical | 9 March 1946 (USA)
Judy Jones, sings with a band and also works at an aircraft plant. She takes part in a "missing heirs" radio program and is discovered to be an heiress to a fortune. But the will provides ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Camille
...
Bart Williams
...
Gabriel Popik
...
Keating
Charles Dingle ...
Minland
...
Cora Elliot
...
Oliver S. Patch
Hobart Cavanaugh ...
George
...
Mahoney
...
Krencher
Edward Gargan ...
Riley (as Ed Gargan)
Margaret Early ...
Bashful Girl
Johnny Mitchell ...
Soldier
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Storyline

Judy Jones, sings with a band and also works at an aircraft plant. She takes part in a "missing heirs" radio program and is discovered to be an heiress to a fortune. But the will provides that she must be married by a certain time or lose the inheritance. She then has to decide whether rivals-for-her-hand Tommy Coles or Bart Williams, loves her for herself or for her fortune. What's a girl to do? Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

9 March 1946 (USA)  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Filmed between mid-December 1943 and May 17, 1944, the movie's wide release was held back until March 9, 1946, and then the picture's Manhattan opening at the Strand Theatre followed on March 15, 1946. Snipped out of the release print were several references to "ongoing" World War II, which had ended on August 14, 1945. See more »

Quotes

Gabriel Popik: I'm a pull-over!
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Soundtracks

If You're Waitin' I'm Waitin' Too
Music by Jule Styne
Lyrics by Sammy Cahn
Performed by Joan Leslie (dubbed by Louanne Hogan), Robert Alda and chorus
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User Reviews

 
More maddening than anything else!
11 July 2005 | by (United States) – See all my reviews

Maybe it's just me, but is no one else troubled by the apparent ability of just about everyone in this movie to change who they love and whom they want to marry almost at will. No concept of everlasting love troubles the writer and certainly will not trouble any ensuing marriage that would come from this movie. I just found it disappointing. Joan Leslie is good enough, but haven't we come too far (even by 1946) than to think it's funny that women are stupid. And just too idiotically stupid to continue living. Unlike other commentators I did not think the bubbles from the mouth bit funny at all, I just thought it dumb. Which pretty well sums up the movie for me.


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