5.5/10
167
9 user 5 critic

The Catman of Paris (1946)

Not Rated | | Fantasy, Horror, Mystery | 20 April 1946 (USA)
Are mysterious killings in Paris of 1896 the work of man or monster?

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(original screenplay)
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Cast

Cast overview, first billed only:
...
...
...
Marguerite Duval
...
Henry Borchard
...
Inspector Severen
...
Prefect of Police
Francis Pierlot ...
Paul Audet
Georges Renavent ...
Guillard
...
Devereaux
Maurice Cass ...
Paul de Roche
Alphonse Martell ...
Maurice Cocaignac
Paul Marion ...
Jules
...
Georges
...
Raoul
Carl Neubert ...
Phillippe
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Storyline

Author Charles Regnier returns to 1896 Paris after exotic travels, having written a bestseller which the Ministry of Justice would like to ban. That very night, an official is killed in the dark streets... clawed to death! The prefect of police suspects some sort of "were-cat" but Inspector Severen thinks there's nothing supernatural about Regnier's motive. And Regnier has increasing doubts about himself when he has another hallucinatory blackout during the second killing... Written by Rod Crawford <puffinus@u.washington.edu>

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Plot Keywords:

police | death | author | night | face slap | See All (54) »

Taglines:

BEWARE! A MONSTER IS LOOSE! (original ad - all caps)


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

20 April 1946 (USA)  »

Also Known As:

O Monstro de Paris  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

About 16 minutes into the film, the 19th-century bronze plaque reading "PAUL AUDET ET CIE / EDITEURS" uses an Art Deco typeface that would not have been created until the 1920s or 1930s. See more »

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User Reviews

 
Unseen for many years, but a thrill if you're right age
3 March 2010 | by (United States) – See all my reviews

This is a middling to fair movie, gamely cashing in on the popular 1940s passion for Wolfman and Cat People creature films. Lame, but it limped along anyway.

Spine-chilling horror and suspense it has little of, but be fair! When you stack this film up against other non-Val Lewton movies or non-Brit films, (think DEAD OF NIGHT) it's okay for what it attempts. The director was probably a studio hack given the task of making something cheap using standing sets and on-hand costumes to fill the double bill and not run much more than an hour, thus clearing the seats for the A picture.

Workmanlike is he best that can be said about it. A good monster, wasted.

Anticipation ran high for me in the pre-home taping/DVD days when indie TV stations surrounding the SF Bay put this in their late-night viewing logs in the papers. My appetite for it was whetted by a photo spread in Monster World or maybe FAmous Monsters, showing Bob Wilke down in a makeup chair with a week's whiskers, getting on the fingernails and greasepaint and hair and full catty dentures. He looked great as the monster. His eyes were always cat-like and a bright shiny green anyway. Recall him as the first mate to Captain Nemo (James Mason) in 20,000 LEAGUES UNDER THE SEA?

Robert J. Wilke made his career primarily playing villains in Westerns and was always a solid on screen presence. More of the Catman and less palaver was called for. It would be a better film, but I liked it for what little it achieved in moments of unease and threatening shadows.

And whomever id the makeup was an ace at greasepaint and direct work, without much in the way of prosthesis.

DB Jones, Mountain View, CA


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