| Rondo Hatton | ... | Hal Moffet AKA 'The Creeper' | |
| Tom Neal | ... | Clifford Scott | |
| Jan Wiley | ... | Virginia Rogers Scott | |
| Jane Adams | ... | Helen Paige | |
| Donald MacBride | ... | Police Captain M. J. Donelly | |
| Peter Whitney | ... | Police Lieutenant Gates | |
| Fred Coby | ... | Young Hal Moffet | |
| Janelle Johnson Dolenz | ... | Joan Bemis (as Ja Nelle Johnson) | |
| rest of cast listed alphabetically: | |||
| Mary Ann Bricker | ... | Mary Ann Obringer (uncredited) | |
| Tristram Coffin | ... | Police Lieutenant / voice of radio announcer (uncredited) | |
| Peggy Converse | ... | Mrs. Obringer (uncredited) | |
| Pat Costello | ... | Car 22 Patrolman (uncredited) | |
| Joseph Crehan | ... | Police Commissioner Salisbury (uncredited) | |
| John Gallaudet | ... | Police Guard (uncredited) | |
| John Hamilton | ... | Professor Cushman (uncredited) | |
| Warren Jackson | ... | Jeweler (uncredited) | |
| Karen Knight | ... | Minor Role (uncredited) | |
| Patrick McVey | ... | Detective at Helen's Apartment (uncredited) | |
| James Nolan | ... | Police Dispatcher (uncredited) | |
| Frank O'Connor | ... | Policeman at Helen's Apartment (uncredited) | |
| Oscar O'Shea | ... | Mr. Haskins - Grocer (uncredited) | |
| Jack Parker | ... | Jimmy - Delivery Boy (uncredited) | |
| Lorin Raker | ... | Mr. Parkington - Mayor's Secretary (uncredited) | |
| William Ruhl | ... | Policeman at Helen's Apartment (uncredited) | |
| Cy Schindell | ... | Crowd Control Policeman (uncredited) | |
| Charles Wagenheim | ... | Pawnbroker (uncredited) | |
Directed by | |||
| Jean Yarbrough | |||
Writing credits(in alphabetical order) | ||
| Dwight V. Babcock | story | |
| George Bricker | ||
| M. Coates Webster | ||
Produced by | |||
| Ben Pivar | .... | producer | |
Cinematography by | |||
| Maury Gertsman | |||
Film Editing by | |||
| Philip Cahn | |||
Art Direction by | |||
| John B. Goodman | |||
| Abraham Grossman | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Edward R. Robinson | |||
Makeup Department | |||
| Carmen Dirigo | .... | hair stylist | |
| Jack P. Pierce | .... | makeup director | |
Second Unit Director or Assistant Director | |||
| Ralph Slosser | .... | assistant director | |
Sound Department | |||
| Joe Lapis | .... | sound technician | |
Costume and Wardrobe Department | |||
| Vera West | .... | gowns supervisor | |
Music Department | |||
| William Lava | .... | composer: stock music (uncredited) | |
| Charles Previn | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | musical director (uncredited) | |
| Paul Sawtell | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
Other crew | |||
| Raymond Kessler | .... | dialogue director | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Guys, the next time you look in the mirror and don't like what you see, try telling yourself that at least you're not Rondo Hatton. Hatton suffered with the congenital disease acromegaly, which, as Webster's puts it, is "chronic hyperpituitarism marked by progressive enlargement of hands, feet and face." He lived to the age of 52, being felled by a heart attack shortly after making his last film, "The Brute Man," in 1946. This is an extremely well-made little B picture, featuring fine acting by all, a compact story and some real suspense. In it, Hatton plays a former college BMOC who became disfigured after a lab accident and who, years later, begins a murder spree against all his former pals and teachers that he blames for his current condition. He also befriends a pretty, blind piano teacher, who naturally doesn't recoil automatically from the big lug's unique physiognomy. These scenes, with big Rondo and the blind woman, will likely cause most viewers to recall Frankenstein and the blind hermit in "Bride of Frankenstein" (1935), just as his later sacrifices on her behalf are reminiscent of Chaplin's for his blind flower girl in "City Lights" (1931). No, "The Brute Man" is not nearly in the same league as those two immortal classics, but still remains a fine entertainment nevertheless. "Frankenstein" makeup man Jack Pierce contributed his great talents to this film, too, making Hatton (I would imagine) even more of a sight than he was ordinarily. It's hard to feel much sympathy for Rondo's "Creeper" character, cold-blooded psycho that he has become, but somehow, we DO still feel some, to the actor's great credit. Oh, by the way, this DVD looks just terrific; an absolutely first-rate transfer from the fine folks at Image Entertainment.