Once again Paula ape woman is brought back to life, this time by a mad doctor and his disfigured assistant, who also kidnaps a nurse in order to have a female blood donor. By this time, ... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
Hal Moffat who is taking wholesale revenge by murdering those he holds responsible for his predicament, is befriended by Helen Paige, a blind piano teacher, and he develops a warmth for her that leads him to add thievery and robbery - no big deal, he is out there anyway - to his murders so that she can be provided with the money for an operation. Written by
Les Adams <firstname.lastname@example.org>
This film has sometimes been claimed to have elements of Rondo Hatton's real-life story in its script, but the only similarities are that both Hal Moffet and Hatton were college football stars and both got acromegaly from exposure to toxic chemicals--though the real Hatton got it not from an accident in a chemistry lab but from a poison gas attack against his unit when he was serving with the US Army in World War I. See more »
Attention all cars, attention all cars: general alarm. Car 22, go to 733 Spring Avenue, it's a 341, that is all.
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1946's "The Brute Man" was a follow up to "House of Horrors," from the same producer (Ben Pivar) and director (Jean Yarbrough), plus the same star, Rondo Hatton, who filmed "The Spider Woman Strikes Back" in between (none were released until after his death in February 1946). Hatton's own back story inspired much of the plot of this low grade thriller (his last film), actually a prequel to the far superior "House of Horrors," taking place before the events of the earlier film. The Creeper stalks his victims slowly, snapping their spines in two, before befriending a blind girl (Jane Adams), who naively finds sympathetic qualities in the fiendish killer. Hatton's performance consists of wandering the dark streets from one incident to the next, while the police investigation adds up to a game of 'pass the buck.' Jane Adams had just finished playing the hunchbacked nurse in "House of Dracula," and would end her brief career with 1949's Bowery Boys horror-comedy, "Master Minds." Jan Wiley, from "The Strange Case of Doctor Rx" and "She-Wolf of London," was about to end her own brief career. Another actress of note, billed last in the credits, is Ja Nelle Johnson, a radio performer who apparently made just one other screen appearance, wife of actor George Dolenz (television's COUNT OF MONTE CRISTO), mother of singer-actor Micky Dolenz (THE MONKEES), and grandmother of actress Ami Dolenz. She gets one opening scene, and another in a later flashback, filmed when Micky was about 8 months old (November 1945). In the ultimate tribute to his mother, who kept the family stable through George's untimely death in 1963, Micky ended up recording a bedtime lullaby she used to sing, titled "Pillow Time," from the October 1969 Monkees lp, THE MONKEES PRESENT. Her credited co-author was fellow actor Matt Willis, best remembered as Bela Lugosi's werewolf servant in Columbia's "The Return of the Vampire" in 1943 (both had definitely worked at Universal).
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