Hal Moffat who is taking wholesale revenge by murdering those he holds responsible for his predicament, is befriended by Helen Paige, a blind piano teacher, and he develops a warmth for her that leads him to add thievery and robbery - no big deal, he is out there anyway - to his murders so that she can be provided with the money for an operation. Written by
Les Adams <email@example.com>
Completed in November 1945, released by PRC a year later on October 1, 1946 (Rondo Hatton's final performance). This was a sequel to House of Horrors (1946), completed in September 1945. In between, Hatton shot The Spider Woman Strikes Back (1946) in October, all three features only seeing release after his death in February 1946. Hatton had first played The Creeper in the Sherlock Holmes feature The Pearl of Death (1944), unrelated to the two follow-ups. See more »
Attention all cars, attention all cars: general alarm. Car 22, go to 733 Spring Avenue, it's a 341, that is all.
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Earlier on during this Halloween Horror challenge, I had watched HOUSE OF HORRORS (1946) which was basically a precursor to this one similarly dealing with a hulking criminal with a penchant for back-breaking dubbed "The Creeper" (actually first seen in the Sherlock Holmes mystery THE PEARL OF DEATH !). In this case, we are given the character's tragic back-story though it actually does a disservice to actor Rondo Hatton (deformed in real life by acromegaly) by making his condition self-inflicted and rendering him homicidal into the bargain! Anyway, though it shares many a credit with the subsequent film, this one (which proved to be Hatton's last) was actually made by the Poverty Row company PRC. Running a brief 59 minutes, it is simply a succession of incidents showing The Creeper either taking revenge on his former colleagues at college (including an ex-girlfriend and a romantic rival played by DETOUR 's Tom Neal) or else killing others who happen to get in his way. To give some measure of sympathy to the titular figure, we also get a subplot in which he is sheltered by a blind pianist (shades of BRIDE OF FRANKENSTEIN  and THE FACE BEHIND THE MASK ): eventually, though, she allows herself to be used as bait in a trap set for him by the Police (with flustered Donald MacBride at their head!). In itself, then, the film is watchable as an example of low-budget horror from this vintage but in no way a classic.
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