From aboard the IMDboat at San Diego Comic-Con, Kevin Smith talks to the cast of "Teen Wolf" about the solemn yet celebratory panel for the upcoming season. This news and more in our Guide to Comic-Con.
When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't ... See full summary »
When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect. Written by
Ed Stephan <email@example.com>
Raymond Chandler was unhappy with Veronica Lake's performance as Joyce Harwood. He referred to the actress as "Miss Moronica Lake" and complained in a letter: "The only times she's good is when she keeps her mouth shut and looks mysterious. The moment she tries to behave as if she had a brain she falls flat on her face. The scenes we had to cut out because she loused them up! And there are three godawful close shots of her looking perturbed that make me want to throw my lunch over the fence." See more »
After arriving home, Morrison is asked what he flew, and he says a Liberator. Whilst the Navy did fly two variations of the B-24 Liberator, they were used mainly for anti-sub/anti-ship and reconnaissance work. The later PB4Y-2 version, such as he would have flown towards the end of the war, was called a Privateer, not a Liberator. It also had a crew of eleven, whereas Morrison's crew was only three. The Grumman Avenger was a widely-used Navy bomber that had a crew of three, so it was likely that is what his character had flown. See more »
[sitting with Johnny in a convertible in the hills overlooking Los Angeles]
It takes a lot of lights to make a city, doesn't it?
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A follow-on from "The Glass Key", this film offers the familiar Lake, Ladd and Bendix combo in this Raymond Chandler written film noir. Not as dark as other Chandler scripts, or indeed as other film noirs of the time, it however seems more suited to the acting talents of Lake and Ladd. It offers them both a fine chance to shine, making you understand their star appeal of that era, although for Lake it was to be her last 'big' film. Lake, as in "Sullivan's Travels", looks especially radiant in Edith head costumes, with the art direction of Hans Drier placing and lighting her in sensitive and evocative moods.
A good film to watch to either expand your knowledge of the film noir genre,
bask in Lake's glow, or to simply enjoy on a lazy Sunday afternoon...a classic of its genre. 9/10.
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