A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect. Written by
Ed Stephan <firstname.lastname@example.org>
When Alan Ladd was called up for military service, production on the movie (then still in the screenplay stage) had to be rapidly stepped up. According to a near-legendary story, screenwriter Raymond Chandler offered to finish the screenplay by working drunk: in exchange for sacrificing his health to produce the requisite pages on time, Chandler was permitted to work at home (a privilege rarely granted to screenwriters) and was provided two chauffeured cars, one to convey the completed pages to the studio and the other for his wife. Chandler turned the script in on time. Many now believe the "drunkenness" was simply a ruse by Chandler to wrangle extraordinary privileges from the desperate studio. See more »
After arriving home and being introduced to his wife's friends, Johnny punches his wife's beau in the mouth then storms into a bedroom where we hear a door slam but then see the actual door close softly. See more »
"The Blue Dahlia" is a slightly dated but interesting film noir. It has a pretty good mystery story that, while a bit too reliant on coincidence, also has some creative aspects. The cast is pretty good, and the atmosphere is classic 40's film noir.
Alan Ladd plays a World War II pilot who comes home only to find an unfaithful, unpleasant, drunken wife waiting for him. She has made a mess of her life while he was away, and it is no surprise that she soon turns up murdered. The husband is suspected, and is pursued by the police, with a mysterious blonde (Veronica Lake) also taking an unexplained interest in him. Ladd and Lake are pretty good in the leads, and William Bendix is very good in a difficult role as Ladd's shell-shocked pal. The film goes pretty heavy on the "noir" atmosphere, and now seems just a little dated or static, but the atmosphere does fit well with the story.
This will primarily be of interest to those who already like films of the era, but for those who do, this is an interesting story that you'll want to see.
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