During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable ... See full summary »
Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous guy. When he knew Jenny is making eyes at Brignon, an old businessman, in ... See full summary »
When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect. Written by
Ed Stephan <email@example.com>
Raymond Chandler, who wrote the screenplay, claimed that producer John Houseman was in "the doghouse" and director George Marshall "was a stale old hack who had been directing for thirty years without once having achieved any real distinction", so Chandler went on to the Paramount set to direct some of the scenes himself. See more »
During the scene in the Blue Dahlia manager's office between Leo and Eddie, moving shadow of boom mic is visible on wall above Eddie while he is seated in the armchair. See more »
[to the partygoers]
Seems I've lost my manners or would anyone here know the difference?
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Here's another one of those classic favorites that I am still hoping gets transferred to DVD. It's been long overdue.
This is another Alan Ladd-Veronica Lake film (their third of the decade) but William Bendix steals the show as a G.I. who suffered brain damage in World War II. He is something to see and his wise-cracking lines are some of the best ever delivered in a film noir. He had a short temper and insulted everyone he came in contact with. I just laugh out loud at some of his stuff.
Doris Dowling is effective as a nasty woman and it's always fun to see Hugh Beaumont in a role other than the dad in "Leave It To Beaver." Howard da Silva and Will Wright also are entertaining in their supporting roles. Also, for you TV trivia fans: see if you can spot "Lois Lane" (Noel Neill) in here.
Never as gorgeous as billed, Lake still had a unique look and voice but she plays it pretty straight here, character-wise. I like her better when she wisecracks as she did in some of her other films.
This is a pretty good crime story. Nothing exceptional, but at least it keeps you guessing. You're never quite sure until the very end "whodunnit."
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