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The Blue Dahlia (1946)

7.2
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Ratings: 7.2/10 from 4,610 users  
Reviews: 58 user | 27 critic

An ex-bomber pilot is suspected of murdering his unfaithful wife.

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Title: The Blue Dahlia (1946)

The Blue Dahlia (1946) on IMDb 7.2/10

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Cast

Complete credited cast:
...
...
...
Howard Da Silva ...
...
Tom Powers ...
Capt. Hendrickson
...
George Copeland
...
Corelli
Don Costello ...
Leo
...
'Dad' Newell
...
Man Recommending a Motel
Walter Sande ...
Heath
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Storyline

When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

Tamed by a brunette - framed by a blonde - blamed by the cops! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 April 1946 (USA)  »

Also Known As:

La dalia azul  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Elizabeth Short got the nickname "The Black Dahlia" from a bartender at a Long Beach bar she frequented. The Blue Dahlia (1946) was playing at a theatre down the street, and the bartender got the name wrong. Elizabeth picked up on that and kept the nickname, adding a flower to her hair to complete the transformation. She was murdered the next year (1947). See more »

Goofs

After arriving home and being introduced to his wife's friends, Johnny punches his wife's beau in the mouth then storms into a bedroom where we hear a door slam but then see the actual door close softly. See more »

Quotes

Corelli, motel operator: You still want that room?
Johnny Morrison: [sarcastically] You sure nobody's dead in it?
Corelli, motel operator: [leading him to the room] Right back this way. You live in San Francisco?
Johnny Morrison: [laconically] Yeah, when I'm there.
See more »

Connections

Featured in Alan Ladd: The True Quiet Man (1999) See more »

Soundtracks

Ac-Cent-Tchu-Ate the Positive
(1944) (uncredited)
Music by Harold Arlen
Lyrics by Johnny Mercer
Sung by party guests
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Third Ladd/Lake pairing not all it's cracked up to be
7 January 2002 | by (Western New York) – See all my reviews

The Blue Dahlia is among the dozen or so titles that movie buffs would identify instantly as film noir. Certainly, it boasts all the proper credentials: Alan Ladd and Veronica Lake reunited for their third outing together (after This Gun For Hire and The Glass Key); a sinister supporting cast including William Bendix, Howard Da Silva and Hugh Beaumont; and an original screenplay by none other than Raymond Chandler.

It almost lives up to its reputation. Returning Navy hero Ladd finds that the wife he left behind has turned into (or always was) a faithless party girl, who killed their young son in a drunken accident. He walks out on her, later to learn she's been murdered. Hunted by the police, he's befriended by Lake, who turns out to be rather intimately involved in much of what happened....

Many noirs suffered from studio-imposed "happy" endings but generally kept their integrity until the closing few frames. The changes wrought on The Blue Dahlia, however, severely compromise it. Chandler's original killer was to be Ladd's war-buddy Bendix, the loose cannon with a steel plate in his head, erupting in pounding headaches and blackout rages whenever he hears "jungle music" -- the sexually liberating beat of postwar prosperity. Rejecting this ending as an insult to the gallant men who had won the war, Paramount, pressured by the Navy, forced Chandler to resort to a lame "the-butler-did-it" conclusion. Unfortunately, that compromise splashes back through the length of the movie, making little sense of Bendix' performance -- even of his presence, except as the rankest of red herrings -- and turning what might have been a topical and disturbing film noir into just another glossy '40s murder mystery.


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