John Hamilton leaves a comfortable New York job to take up as an artist in a quiet Connecticut town. His dipso wife hates the life and falsely makes him out to be selfish, unsuccessful, and... See full summary »
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable ... See full summary »
The conflict between duty and conscience is explored in this WWII drama. Alan Ladd stars as Naval gunnery officer Alec Austin, a Quaker whose sincere pacifist sentiments do not sit well ... See full summary »
When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect. Written by
Ed Stephan <firstname.lastname@example.org>
Many of the cars in the film have a "B" sticker on the windshields. This is a reflection of the wartime rationing of gasoline. Gas was rationed primarily to save rubber, because Japan had occupied Indochina, Malaysia, and Indonesia. (There was a shortage of gas on the East Coast until a pipeline from Texas was constructed to replace the transport of crude oil by sea.) The B sticker was the second lowest category, entitling the holder to only 8 gallons of gas a week. See more »
During the scene in the Blue Dahlia manager's office between Leo and Eddie, moving shadow of boom mic is visible on wall above Eddie while he is seated in the armchair. See more »
I know I've got lots of faults, but being in love with you isn't one of them, is it?
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A follow-on from "The Glass Key", this film offers the familiar Lake, Ladd and Bendix combo in this Raymond Chandler written film noir. Not as dark as other Chandler scripts, or indeed as other film noirs of the time, it however seems more suited to the acting talents of Lake and Ladd. It offers them both a fine chance to shine, making you understand their star appeal of that era, although for Lake it was to be her last 'big' film. Lake, as in "Sullivan's Travels", looks especially radiant in Edith head costumes, with the art direction of Hans Drier placing and lighting her in sensitive and evocative moods.
A good film to watch to either expand your knowledge of the film noir genre,
bask in Lake's glow, or to simply enjoy on a lazy Sunday afternoon...a classic of its genre. 9/10.
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