| Tom Neal | ... | Rick Lavery | |
| Martha O'Driscoll | ... | Marian Gale | |
| Donald MacBride | ... | Insp. Carmichael | |
| Peter Whitney | ... | Lt. Melody Haynes | |
| Samuel S. Hinds | ... | Prof. Slater | |
| Robert Armstrong | ... | Williams | |
| Elisha Cook Jr. | ... | Sam Collins | |
| Marc Lawrence | ... | Joe DeRita | |
| Oliver Blake | ... | Pat Tenny | |
| John Berkes | ... | Louie Comey | |
| rest of cast listed alphabetically: | |||
| Eddie Acuff | ... | Ambulance Attendant (uncredited) | |
| John Alban | ... | Policeman #3 (uncredited) | |
| Helen Bennett | ... | Ruth Dixon (uncredited) | |
| Harry Brown | ... | Clerk (uncredited) | |
| Robert Brubaker | ... | Pedestrian (uncredited) | |
| Lane Chandler | ... | Policeman #2 (uncredited) | |
| Dick Crockett | ... | Dr. Selby (uncredited) | |
| William B. Davidson | ... | Police Capt. Hurley (uncredited) | |
| Byron Foulger | ... | Wilson (uncredited) | |
| Douglas Fowley | ... | Henchman Willie (uncredited) | |
| Edward Gargan | ... | Police Sergeant (uncredited) | |
| Thomas E. Jackson | ... | Allen (uncredited) | |
| Tom Kennedy | ... | Clancy (uncredited) | |
| Robert Kent | ... | Detective (uncredited) | |
| Frank Lackteen | ... | Doorman (uncredited) | |
| Lee Phelps | ... | Policeman #1 (uncredited) | |
| Ray Teal | ... | Det. Jones (uncredited) | |
| Bill Udell | ... | Steward (uncredited) | |
| Charles Waldron | ... | Ship's Officer (uncredited) | |
| Ethel Wales | ... | Landlady (uncredited) | |
| Dick Wessel | ... | Detective (uncredited) | |
| Matt Willis | ... | Det. Lane (uncredited) | |
| Carleton Young | ... | Steward (uncredited) | |
Directed by | |||
| Will Jason | |||
Writing credits | ||
| Gordon Kahn | (story) | |
| George Bricker | (screenplay) | |
Produced by | |||
| George Bricker | .... | associate producer | |
| Ben Pivar | .... | executive producer | |
Cinematography by | |||
| Maury Gertsman | |||
Film Editing by | |||
| Edward Curtiss | |||
Art Direction by | |||
| Robert Clatworthy | |||
| Jack Otterson | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Ted von Hemert | |||
Second Unit Director or Assistant Director | |||
| Seward Webb | .... | assistant director | |
| Harry Jones | .... | assistant director (uncredited) | |
Sound Department | |||
| Glenn E. Anderson | .... | sound | |
| Bernard B. Brown | .... | sound | |
Camera and Electrical Department | |||
| John J. Martin | .... | second camera operator (uncredited) | |
Music Department | |||
| Edgar Fairchild | .... | musical director | |
| Larry Aicholtz | .... | music mixer (uncredited) | |
| Richard Hageman | .... | composer: stock music (uncredited) | |
| Charles Henderson | .... | composer: stock music (uncredited) | |
| William Lava | .... | composer: stock music (uncredited) | |
| Charles Previn | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Paul Sawtell | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
Other crew | |||
| Harold Goodwin | .... | dialogue director (uncredited) | |
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| The Spider Returns | The Black Widow | One Is Guilty | Special Agent K-7 | The Line-Up |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb USA section |
Nice change-of-pace here--a solid 1940s "B" murder mystery, but played in a witty manner with comic relief. Overall, though, it's still more of a drama than a comedy. This was Martha O'Driscoll's first film after the legendary HOUSE OF DRACULA and was made the same year as Tom Neal's legendary DETOUR. Ms. O'Driscoll plays a lady who had been engaged to a doctor but dropped him when she found he was insincere. The doctor is found dead. Tom Neal plays a basically honest adverturer who has been in trouble in the past and is an obvious suspect here--at least the police think so. The fine supporting cast also includes Samuel S. Hinds, a regular at Universal in the 1940s, as a professor with a secret; Robert Armstrong as an over-worked policeman; Elisha Cook Jr. as a quirky cab driver; even Marc Lawrence in a small role. The playful comedic segments don't get in the way of the mystery--anymore than they do in a Mantan Moreland-era Chan film--and judged as a mystery, it's a modest success worth 62 minutes of your time. The Universal B-movie "machine" was in high gear at this time, and it could churn out a quality product with regularity...and the product is still entertaining and watchable today.