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The Big Sleep
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The Big Sleep (1946) More at IMDbPro »

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The Big Sleep -- L.A. private eye Phillip Marlowe takes on a blackmail case...and a trail peopled with murderers, pornographers, nightclub rogues, the spoiled rich and more.
The Big Sleep -- Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.
The Big Sleep -- Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

Overview

User Rating:
8.1/10   59,367 votes »
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Down 35% in popularity this week. See why on IMDbPro.
Director:
Writers:
William Faulkner (screen play) &
Leigh Brackett (screen play) ...
(more)
Contact:
View company contact information for The Big Sleep on IMDbPro.
Release Date:
31 August 1946 (USA) See more »
Tagline:
The type of man she hated . . . was the type she wanted ! See more »
Plot:
Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love. Full summary » | Full synopsis »
Awards:
1 win See more »
User Reviews:
Classic private eye tale with Bogart and Bacall in fine form See more (234 total) »

Cast

  (in credits order) (verified as complete)

Humphrey Bogart ... Philip Marlowe

Lauren Bacall ... Vivian Rutledge
John Ridgely ... Eddie Mars

Martha Vickers ... Carmen Sternwood

Dorothy Malone ... Acme Book Shop Proprietress
Peggy Knudsen ... Mona Mars

Regis Toomey ... Chief Inspector Bernie Ohls
Charles Waldron ... Gen. Sternwood
Charles D. Brown ... Norris - the Butler

Bob Steele ... Lash Canino

Elisha Cook Jr. ... Harry Jones
Louis Jean Heydt ... Joe Brody
rest of cast listed alphabetically:
Trevor Bardette ... Art Huck (uncredited)

Joy Barlow ... Taxi Driver (uncredited)
Max Barwyn ... Max - Head Waiter (uncredited)
Deannie Best ... Waitress (uncredited)
Tanis Chandler ... Waitress (uncredited)
Jack Chefe ... Croupier (uncredited)
Joseph Crehan ... Medical Examiner (uncredited)
Oliver Cross ... Nightclub Patron (uncredited)
Sonia Darrin ... Agnes Lowzier (uncredited)
Carole Douglas ... Librarian (uncredited)
Jay Eaton ... Man in Casino (uncredited)
Tom Fadden ... Sidney (uncredited)
Bess Flowers ... Woman with Bumped Man (uncredited)
Shep Houghton ... Nightclub Patron (uncredited)
Kenner G. Kemp ... Nightclub Patron (uncredited)
Pete Kooy ... Motorcycle Cop (uncredited)
Lorraine Miller ... Hatcheck Girl (uncredited)
Forbes Murray ... Furtive Man (uncredited)
Shelby Payne ... Cigarette Girl (uncredited)
Jack Perry ... Silent Thug Beating Marlowe (uncredited)
Tommy Rafferty ... Carol Lundgren (uncredited)
Waclaw Rekwart ... Nightclub Patron (uncredited)
Emmett Vogan ... Ed - Deputy Sheriff (uncredited)
Theodore von Eltz ... Arthur Gwynn Geiger (uncredited)
Wally Walker ... Mars' Thug (uncredited)
Dan Wallace ... Owen Taylor (uncredited)
Paul Weber ... Mars' Thug (uncredited)
Ben Welden ... Pete (uncredited)

Directed by
Howard Hawks 
 
Writing credits
William Faulkner (screen play) &
Leigh Brackett (screen play) &
Jules Furthman (screen play)

Raymond Chandler (from the novel by)

Produced by
Jack L. Warner .... executive producer
Howard Hawks .... producer (uncredited)
 
Original Music by
Max Steiner 
 
Cinematography by
Sidney Hickox (director of photography) (as Sid Hickox)
 
Film Editing by
Christian Nyby (film editor)
 
Art Direction by
Carl Jules Weyl 
Max Parker (supervising art director) (uncredited)
 
Set Decoration by
Fred M. MacLean (set decorations)
 
Makeup Department
Perc Westmore .... makeup artist
 
Production Management
Eric Stacey .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Chuck Hansen .... assistant director (uncredited)
Robert Vreeland .... assistant director (uncredited)
 
Sound Department
Robert B. Lee .... sound
Gerald W. Alexander .... sound effects mixer (uncredited)
Gerald W. Alexander .... sound re-recording mixer (uncredited)
Robert G. Wayne .... sound effects mixer (uncredited)
Robert G. Wayne .... sound re-recording mixer (uncredited)
 
Special Effects by
Roy Davidson .... special effects director (as E. Roy Davidson)
Warren Lynch .... special effects (as Warren E. Lynch)
Robert Burks .... special effects (uncredited)
William C. McGann .... special effects (uncredited)
Willard Van Enger .... special effects (uncredited)
 
Visual Effects by
Paul Detlefsen .... matte paintings (uncredited)
 
Camera and Electrical Department
Mike Joyce .... second camera operator (uncredited)
 
Costume and Wardrobe Department
Leah Rhodes .... wardrobe
Eugene Joseff .... costume jeweller (uncredited)
 
Music Department
Leo F. Forbstein .... musical director
Simon Bucharoff .... orchestrator (uncredited)
Charles David Forrest .... music mixer (uncredited)
 
Crew verified as complete


Production Companies
  • Warner Bros. (presents) (as Warner Bros.-First National Pictures)
DistributorsOther Companies

Additional Details

Also Known As:
Runtime:
114 min | 116 min (pre-release version)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:16 | Australia:PG | Canada:14A (video rating) | Finland:K-16 (1949) | Finland:(Banned) (1947) | Germany:16 (DVD rating) | Iceland:12 | Malaysia:(Banned) (original rating) | New Zealand:PG | Norway:16 | Portugal:M/12 | Sweden:(Banned) (original rating) | Sweden:15 (re-rating) (1961) | UK:PG | UK:A (original rating) | USA:Approved (PCA #10625) | USA:TV-PG (TV rating) | West Germany:16 (f)

Did You Know?

Trivia:
William Faulkner came out to Hollywood to work on this film, but found that being around the set didn't agree with him, so he asked Howard Hawks if he could work "from home." Hawks agreed, assuming that Faulkner meant from his Hollywood apartment. Instead, Faulkner returned to his home in Oxford, Mississippi, leaving Hawks rather unhappy.See more »
Goofs:
Audio/visual unsynchronized: When Vivian is telling Marlowe the cover story for Carmen for the night before, her mouth does not match what she's saying. This mismatch is because the movie was re-edited after Humphrey Bogart and Lauren Bacall became a popular team; To Have and Have Not (1944) which brought them to stardom was released after The Big Sleep (1946) was filmed but before it was released. Scenes were re-shot, some new scenes were added and others dropped. The sequence was also changed to accommodate some of the new edits. The audio/visual mismatch is because the scene was kept but minor dialog had to be changed to make the re-sequencing track properly.See more »
Quotes:
Norris:Are you attempting to tell me my duties, sir?
Philip Marlowe:No, just having fun trying to guess what they are.
See more »
Movie Connections:
Soundtrack:
I Guess I'll Have to Change My PlanSee more »

FAQ

How does the movie end?
How closely does the movie follow the novel?
Where was Mr Rutledge?
See more »
77 out of 93 people found the following review useful.
Classic private eye tale with Bogart and Bacall in fine form, 12 December 2001
Author: Dennis Littrell from United States

This classic of American cinema, actually made during the war and released in 1946, got a whole nation of young men affecting Bogey mannerisms, raising their eyebrows or showing their teeth while grimacing, and especially pulling on their earlobes while deep in thought, a smoking cigarette dangling between their lips. It was the genius of Howard Hawks, who directed, to do everything possible to make Humphrey Bogart a matinée idol, including having Lauren Bacall slump down in the car seat so as not to tower over him. With this movie a new kind of cinematic hero was created, the existential PI, a seemingly ordinary looking guy gifted with street smarts and easy courage, admired by men, and adored by women.

Hawks fashioned this, part of the Bogart legend, with a noire script penned by William Faulkner, et al., adapted from Raymond Chandler's first novel, that sparkled with spiffy lines, intriguing characters, danger and a not entirely serious attention to plot detail. Hawks surrounded Bogey with admiring dames, beginning with the sexy Martha Vickers who tries to jump into his lap while he's still standing (as Marlowe tells General Sternwood), and ending with the incomparable Lauren Bacall, looking beguiling, beautiful and mysteriously seductive. In fact, every female in the cast wants to get her hands on Bogey, including a quick and easy Dorothy Malone, bored in her specs while clerking at a book store. Hawks also employed some very fine character actors, most notably Elisa Cook Jr., and Bob Steele, the former as always, the little guy crook, (Harry Jones), and the latter, as often seen in westerns, the mindless heavy with a gun (Canino). Charles Waldron played the world-weary general and Charles D. Brown was the butler.

I was reminded somehow of the old Charlie Chan movies with the dark, mysterious, ornately-decorated interiors heavily carpeted and studded with ethnic statuettes, especially the house on Laverne Terrace that Bogey keeps coming back to, and the glass-paned doors and glass-separated cubicals of his office and others. The atmospheric L.A. created here has been much admired and imitated, cf., Chinatown (1974) and L.A. Confidential (1997), two very superior movies that continued the tradition.

In comparing this to the book, I have to say it's a little on the white-washed side, and not as clearly drawn--'confused' some have said. Of course liberties were taken with Chandler's novel to make it romantic. Chandler's novel emphasizes cynicism, and romance takes a back seat to manliness and loyalty to the client. An especially striking difference is in the character of General Sternwood's younger daughter, Carmen. She is vividly drawn in the book as something of monster, a degenerate sex kitten who would try and do just about anything. She is twice encountered butt naked by Marlowe, once in his bed. Being the sterling guy he is, he turns her away. (Right. I could do that.) Another difference is in all the sleazy details about the low-life underworld of Los Angeles that are omitted or glossed over in the film, including Geiger's homosexuality and his gay house guest, Carol Lundgren. (Of course there was a code in those days.) Bacall's character in the movie is actually a fusion of Vivian and Mona Mars from the book, made nice for movie fans. In the book, Marlowe kisses Vivian, but turns down her invitation for more intimate contact. In the movie, of course, there is no way Bogart is going to say 'no' to Bacall. In the book Marlowe seems to prefer whiskey to women.

Most of the sharp dialogue comes right from Chandler's novel, including Bogart's grinning line, 'Such a lot of guns around town, and so few brains.' Interesting is the little joke on Bogart in the opening scene. In the novel, Chandler's hero is greeted by the purring Carmen with the words, 'Tall, aren't you?' Well, the one thing Bogey ain't is tall, and so in the movie Carmen says, 'You're not very tall, are you?' Bogart comes back with, 'I try to be.' In the novel, Marlowe says, 'I didn't mean to be.'

By the way, the film features Bacall singing a forties tune and looking mighty good doing it.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

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Recent Posts (updated daily)User
Big sleep v Maltese Falcon frank316
Name 6 actors who played Philip Marlowe in theatrical movies??? bklynbernie
Another Bogey-Bacall Classic!! shula1010430
I Haven't The Slightest Idea What Happened Or Why In This Film Raxivace
What is the Big Sleep? richsass
How would you rate Bogart's top five movies? marhefka
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