Summoned by the dying General Sternwood, Philip Marlowe is asked to deal with several problems that are troubling his family. Marlowe finds that each problem centers about the disappearance of Sternwood's favoured employee who has left with a mobster's wife. Each of the problems becomes a cover for something else as Marlowe probes. Written by
John Vogel <firstname.lastname@example.org>
The scene where Humphrey Bogart and Lauren Bacall make suggestive talk about horses was added almost a year after filming was otherwise complete, in an attempt to inject the film with the kind of risqué innuendos that had made To Have and Have Not (1944), and Bacall, so popular a few years earlier. See more »
When Marlowe returns to his apartment after taking Carmen home from Geiger's house, there is a tight shot of his (Marlowe's) front door, on which there is a bracket holding a card that reads "Philip Marlowe - Private Investigator" and "206" in large numbers. When he opens the door to the apartment and the shot changes to a wide one, the number has disappeared. See more »
"The Big Sleep" is one of those movies I never tire of watching. Bogie, playing Philip Marlowe - one of his finer roles, commands the screen, wise-cracking with felons and coppers alike, giving a few beatings and taking a lot himself. The night scenes are wonderfully shot, with shadow and fog effects being used perfectly. The main reason to watch this movie, though, are the scenes between Bogart and Bacall. Their on-screen chemistry (fueled by their off-screen romance) lends the most weight to the film. My favorite of their exchanges is when Bogart, tied up yet still smoking, tells Bacall to "take this cigarette out of my mouth". And, of course, they kiss. A short while later, she helps Bogie take out a hired killer. Bogie remarks "I didn't think they made them like that anymore." They certainly don't.
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