Summoned by the dying General Sternwood, Philip Marlowe is asked to deal with several problems that are troubling his family. Marlowe finds that each problem centers about the disappearance of Sternwood's favoured employee who has left with a mobster's wife. Each of the problems becomes a cover for something else as Marlowe probes. Written by
John Vogel <firstname.lastname@example.org>
When Mr. White asked Marlowe, "your willing to lose your license for the case" Marlowe responds by looking directly at him, but when Mr. White asked him another question, the camera immediately cuts to Marlowe looking the other way (as if he never looked at Mr. White in the first time). See more »
"The Big Sleep" is one of those movies I never tire of watching. Bogie, playing Philip Marlowe - one of his finer roles, commands the screen, wise-cracking with felons and coppers alike, giving a few beatings and taking a lot himself. The night scenes are wonderfully shot, with shadow and fog effects being used perfectly. The main reason to watch this movie, though, are the scenes between Bogart and Bacall. Their on-screen chemistry (fueled by their off-screen romance) lends the most weight to the film. My favorite of their exchanges is when Bogart, tied up yet still smoking, tells Bacall to "take this cigarette out of my mouth". And, of course, they kiss. A short while later, she helps Bogie take out a hired killer. Bogie remarks "I didn't think they made them like that anymore." They certainly don't.
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