| Photos (See all 31 | slideshow) |
| Jean Marais | ... | La Bête (The Beast) / The Prince / Avenant | |
| Josette Day | ... | Belle | |
| Mila Parély | ... | Félicie | |
| Nane Germon | ... | Adélaïde | |
| Michel Auclair | ... | Ludovic | |
| Raoul Marco | ... | The Usurer | |
| Marcel André | ... | Belle's Father | |
| rest of cast listed alphabetically: | |||
| Janice Felty | ... | La Belle (1995 opera version) (singing voice) | |
| John Kuether | ... | The Father / The usurer (1995 opera version) (singing voice) | |
| Jacques Marbeuf | |||
| Ana María Martinez | ... | Félicie (1995 opera version) (singing voice) | |
| Hallie Neill | ... | Adélaïde (1995 opera version) (singing voice) | |
| Gregory Purnhagen | ... | La Bête / Avenant / Ardent / The port official (1995 opera version) (singing voice) | |
| Zhang Zhou | ... | Ludovic (1995 opera version) (singing voice) | |
| Noël Blin | ... | Footman (uncredited) | |
| Jean Cocteau | ... | Voice of Magic (voice) (uncredited) | |
| Christian Marquand | ... | Footman (uncredited) | |
| Gilles Watteaux | ... | Footman (uncredited) | |
Directed by | |||
| Jean Cocteau | |||
| René Clément | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Jean Cocteau | dialogue | |
| Jean Cocteau | screenplay | |
| Jean Cocteau | story | |
| Jeanne-Marie Leprince de Beaumont | story | |
Produced by | |||
| André Paulvé | .... | executive producer | |
Original Music by | |||
| Georges Auric | |||
Cinematography by | |||
| Henri Alekan | |||
Film Editing by | |||
| Claude Ibéria | |||
Production Design by | |||
| Christian Bérard | |||
| Lucien Carré | (as Carré) | ||
Set Decoration by | |||
| Lucien Carré | (as Carré) | ||
| René Moulaert | |||
Costume Design by | |||
| Antonio Castillo | |||
| Marcel Escoffier | |||
| Christian Bérard | (uncredited) | ||
Makeup Department | |||
| Hagop Arakelian | .... | makeup artist (as Arakelian) | |
Production Management | |||
| Émile Darbon | .... | production manager | |
Sound Department | |||
| Jacques Carrère | .... | sound | |
| Héctor Castillo | .... | sound engineer: opera version | |
| P. Gaborian | .... | sound assistant | |
| Henry Girbal | .... | sound assistant (as H. Girbal) | |
| Jacques Lebreton | .... | sound | |
| Mario McNulty | .... | assistant sound engineer: opera version | |
| Rouzenat | .... | sound effects (uncredited) | |
Camera and Electrical Department | |||
| G.R. Aldo | .... | still photographer (as Aldo) | |
| Robert Foucard | .... | camera operator (as Foucard) | |
| Raymond Letouzey | .... | camera operator (as Letouzey) | |
| Henri Tiquet | .... | camera operator | |
Costume and Wardrobe Department | |||
| Pierre Cardin | .... | costume maker (uncredited) | |
Music Department | |||
| Roger Desormière | .... | orchestra's conductor | |
Other crew | |||
| René Clément | .... | technical advisor | |
| Lucile Costa | .... | script supervisor | |
| Roger Rogelys | .... | general manager | |
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| Beauty and the Beast | Gone with the Wind | The Brothers Grimm | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Adventures of Baron Munchausen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
When special effects anthologies are shown "Metropolis" is called the grandfather of film FX, "2001" is the son and "Star Wars" is the grandson. Invariably the French are forgotten. This is shameful, since the French were truly the masters of FX or "trick" shots. Following my analogy, Cocteau was the heir apparent of Melies.
"Beauty and the Beast" not only beautifully re-tells a beautiful story, but powerfully displays the Beast's magic. Cocteau's genius is that he makes simple editing techniques look like art and in this movie like the combination of art and magic. Watch what happens when Beauty gives one of her sisters a present from the Beast's castle which the Beast meant only for Beauty.
The version I saw was in French with English subtitles, but the visuals, in glorious black and white, are so stunning, you could almost cover up the subtitles and still understand what's going on.
I can't recommend this movie enough! It is #1 on my foreign film list.