IMDb > Beauty and the Beast (1946)
La belle et la bête
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Beauty and the Beast (1946) More at IMDbPro »La belle et la bête (original title)

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Beauty and the Beast -- The pure love of a beautiful girl melts the heart of a feral but gentle beast.

Overview

User Rating:
8.0/10   16,325 votes »
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Down 1% in popularity this week. See why on IMDbPro.
Director:
Writers:
Jean Cocteau (dialogue)
Jean Cocteau (screenplay)
(more)
Contact:
View company contact information for Beauty and the Beast on IMDbPro.
Release Date:
23 December 1947 (USA) See more »
Genre:
Plot:
A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her. Full summary » | Add synopsis »
Plot Keywords:
Awards:
2 wins & 1 nomination See more »
User Reviews:
Once upon our time... See more (112 total) »

Cast

  (in credits order) (verified as complete)

Jean Marais ... La Bête (The Beast) / The Prince / Avenant
Josette Day ... Belle
Mila Parély ... Félicie
Nane Germon ... Adélaïde
Michel Auclair ... Ludovic
Raoul Marco ... The Usurer
Marcel André ... Belle's Father
rest of cast listed alphabetically:
Janice Felty ... La Belle (1995 opera version) (singing voice)
John Kuether ... The Father / The usurer (1995 opera version) (singing voice)
Jacques Marbeuf
Ana María Martinez ... Félicie (1995 opera version) (singing voice)
Hallie Neill ... Adélaïde (1995 opera version) (singing voice)
Gregory Purnhagen ... La Bête / Avenant / Ardent / The port official (1995 opera version) (singing voice)
Zhang Zhou ... Ludovic (1995 opera version) (singing voice)
Noël Blin ... Footman (uncredited)

Jean Cocteau ... Voice of Magic (voice) (uncredited)
Christian Marquand ... Footman (uncredited)
Gilles Watteaux ... Footman (uncredited)

Directed by
Jean Cocteau 
René Clément (uncredited)
 
Writing credits
(in alphabetical order)
Jean Cocteau  dialogue
Jean Cocteau  screenplay
Jean Cocteau  story
Jeanne-Marie Leprince de Beaumont  story

Produced by
André Paulvé .... executive producer
 
Original Music by
Georges Auric 
 
Cinematography by
Henri Alekan 
 
Film Editing by
Claude Ibéria 
 
Production Design by
Christian Bérard 
Lucien Carré  (as Carré)
 
Set Decoration by
Lucien Carré  (as Carré)
René Moulaert 
 
Costume Design by
Antonio Castillo 
Marcel Escoffier 
Christian Bérard (uncredited)
 
Makeup Department
Hagop Arakelian .... makeup artist (as Arakelian)
 
Production Management
Émile Darbon .... production manager
 
Sound Department
Jacques Carrère .... sound
Héctor Castillo .... sound engineer: opera version
P. Gaborian .... sound assistant
Henry Girbal .... sound assistant (as H. Girbal)
Jacques Lebreton .... sound
Mario McNulty .... assistant sound engineer: opera version
Rouzenat .... sound effects (uncredited)
 
Camera and Electrical Department
G.R. Aldo .... still photographer (as Aldo)
Robert Foucard .... camera operator (as Foucard)
Raymond Letouzey .... camera operator (as Letouzey)
Henri Tiquet .... camera operator
 
Costume and Wardrobe Department
Pierre Cardin .... costume maker (uncredited)
 
Music Department
Roger Desormière .... orchestra's conductor
 
Other crew
René Clément .... technical advisor
Lucile Costa .... script supervisor
Roger Rogelys .... general manager
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"La belle et la bête" - France (original title)
See more »
Runtime:
96 min | USA:93 min | Germany:90 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono | Dolby Digital (1995 opera version)
Company:

Did You Know?

Trivia:
Philip Glass composed an opera perfectly synchronized to the film. The original soundtrack was eliminated, and he composed the opera to be performed along with the film projected behind the orchestra and voice talent. The compact disc recording of Glass' "La Belle et la Bête" can be played alongside the film with a very similar effect. Note: the opera is recorded on two compact discs; hence it will be necessary to pause the film once while changing discs. In the US, the second DVD release of this film by the Criterion Collection gives the viewer the option of hearing the original soundtrack or the Glass opera version, which, in a sense, gives you two movies for the price of one. Glass has composed similar works for two other Jean Cocteau films: Orpheus (1950) and The Terrible Children (1950).See more »
Goofs:
Boom mic visible: Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion.See more »
Quotes:
Ludovic:May the devil himself splatter you with dung.See more »
Movie Connections:
Version of Beauty and the Beast (2014)See more »
Soundtrack:
La belle et la bêteSee more »

FAQ

How does it end?
How much sex, violence, and profanity are in this movie?
Why was the same actor cast as both the Beast and as Avenant?
See more »
39 out of 51 people found the following review useful.
Once upon our time..., 23 September 2004
Author: Andy (film-critic) from Bookseller of the Blue Ridge

This film immediately captured my attention with the written comments at the beginning of the film. Director Jean Cocteau begins this story by explaining why he wanted to make this film. He talks about the passion behind the picture and all the social unrest at the time. He ends this written dialogue with a comment that will forever remain in my mind. He says, "...and now, we begin our story with a phrase that is like a time machine for children: Once Upon a Time..." This just sent chills down my spine. Why? Because, although he is addressing children, I feel that it is really a phrase meant for all of us. It is used to bring the child out in all of us, to show us that we do not need to be 4 or 5 to fully understand the themes of this film ... we are meant to just sit back and let the film take us to another mythological time.

The amazing set design also impressed me about this film. Again, without the modern conveniences of today's cinema, Cocteau had to improvise. This was hard for him to do. Not only were there huge budgetary issues (since it was the end of WWII and France was about to be demolished), but also he was racing against an impending war. Fear was deep in the hearts of the French after WWII, and what a better way to rally your people then with a story about love found in the darkest of places.

This film also made me very sad. I am sometimes disgusted with the way that Disney ... for lack of a better word ... Disney-fies their fairy tales. I think after watching this masterpiece I will have trouble ever being able to go back to the computer generated "Song as Old as Time" version that Disney plastered their trademark to. Never have I been so impressed with black and white cinematography as I have been with this film. The actress that plays Belle, Josette Day, steals the camera every time it is on her. She looks so radiant with the black and white that to see a colorized version of this film would completely do it injustice. The power and emotion that comes between Belle and the Beast feels so true. Cocteau has somehow grabbed the true feeling of two people that are complete opposites that seem to find true love in the coldest of places. I would be one of those reviewers that believes that if this film were released today, it would still pull the audiences in as it did the first time. Only proving that it was made well before it's time, it shows so many of the characteristics of the modern day movie. Even the special effects seem perfect for this film. Even with budget being sub-par, we are able to get a true feeling that this Beast is one of the magical kind.

Oh, this film was superb. I would have to say that it is the best adaptation of a fairy tale that I have seen today. Definitely my best 40s film (made in 1946), and possibly the best telling of Beauty and the Beast EVER!!

Grade: ***** out of *****

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Jean Cocteau's or Disney's. HuGore
The ear motion kungfuflygirl
Was anyone disappointed? sir73069-1
This movie creeped me out, and doesn't hold up well ScreenwriterVA
Trippy Film RowTheBoats
Is Avenant a jerk? inyczreflex
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Recommendations

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