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La belle et la bête (1946)

Not Rated | | Drama, Fantasy, Romance | 23 December 1947 (USA)
A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her.

Directors:

, (uncredited)

Writers:

(dialogue), (screenplay) | 2 more credits »

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1 win & 2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Mila Parély ...
Félicie
Nane Germon ...
Adélaïde
...
Raoul Marco ...
The Usurer
Marcel André ...
Rest of cast listed alphabetically:
Janice Felty ...
La Belle (1995 opera version) (singing voice)
John Kuether ...
The Father / The usurer (1995 opera version) (singing voice)
Jacques Marbeuf
Ana María Martinez ...
Félicie (1995 opera version) (singing voice)
Hallie Neill ...
Adélaïde (1995 opera version) (singing voice)
Gregory Purnhagen ...
La Bête / Avenant / Ardent / The port official (1995 opera version) (singing voice)
Zhang Zhou ...
Ludovic (1995 opera version) (singing voice)
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Storyline

Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Do Women Prefer The Beast In Men? See more »

Genres:

Drama | Fantasy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 December 1947 (USA)  »

Also Known As:

La bella y la bestia  »

Box Office

Opening Weekend:

$3,708 (USA) (23 June 2002)

Gross:

$298,718 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (1995 opera version)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The song "All Night Long" by Peter Murphy uses an audio extract spoken by Jean Marais taken from this film. See more »

Goofs

As the boys ride out of the barn on magnificent to go and steal the treasure of the beast, the lad on back loses his hat. In the next shot, shown from outside, both riders are wearing their hats. See more »

Quotes

Avenant: Belle, you weren't made to be a servant. Even the floor longs to be your mirror! You mustn't go on slaving day and night for your sisters.
Belle: If our father's ships hadn't been lost in the storm, then perhaps I could enjoy myself like them. But we're ruined, Avenant, and I must work.
Avenant: Why don't your sisters work?
Belle: My sisters are too beautiful. Their hands are too white.
Avenant: Belle, you are the most beautiful of all! Look at your hands.
Belle: Avenant, let go of my hand. Please go. I must finish my work.
Avenant: I love ...
[...]
See more »

Crazy Credits

The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »

Connections

Referenced in Beauty and the Beast (2017) See more »

Soundtracks

La belle et la bête
an opera by Philip Glass
(Not part of the original soundtrack, and not heard in the film's first two releases)
© 1995 Nonesuch Records for the US and WEA International Inc. for the world outside of the United States
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Magical Misty Tour de force
25 December 2004 | by (Derby, UK) – See all my reviews

I first saw this when about 10 years old, it made little impression on me then, probably because I couldn't hope to appreciate it or understand it all when so young. Next time I was 25 and was bowled over by its imagery, and as I've got older come to appreciate it more and more.

So much for watching it through a child's eyes and accepting the fantasy at face value! At the beginning Cocteau states "Once upon a time...", but really for discerning adult cineastes (and/or poets) to drop their guards and enjoy it for what it was - a magical filmic fantasy. It's uniformly marvellous in all departments, direction, photography, acting, music, design, and Cocteau trotted out all his favourite cinematic tricks - just part of the sequence between Blood of a Poet in '30 and Testament of Orphee in '61. The script was suitably steeped in non sequiteurs and puzzles to add to the heaviness of it all. Er, not that it matters but what happened to Ludovic?

The wonderful dark brooding smoky atmosphere is the most important aspect though - there are few films I've seen with such a powerful cinematic atmosphere, Reinhardt's Midsummer Night's Dream is one and Dead of Night another etc. But the romantic melancholic atmosphere here was something ... incredible. It was only possible with black and white nitrate film stock to capture such gleaming, glistening and time- and place-evoking moving images - it hasn't been quite the same since 1950 with safety film in use.

If you're an adult about to give it your first (let yourself) go, I envy thee! All in all a lovely inconsequential fantasy, make what erudite and informative allegorical allusions you will.


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