A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
During the first World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
The look of the farmhouse scenes was inspired by the paintings of Jan Vermeer. See more »
As the boys ride out of the barn on magnificent to go and steal the treasure of the beast, the lad on back loses his hat. In the next shot, shown from outside, both riders are wearing their hats. See more »
Belle, you weren't made to be a servant. Even the floor longs to be your mirror! You mustn't go on slaving day and night for your sisters.
If our father's ships hadn't been lost in the storm, then perhaps I could enjoy myself like them. But we're ruined, Avenant, and I must work.
Why don't your sisters work?
My sisters are too beautiful. Their hands are too white.
Belle, you are the most beautiful of all! Look at your hands.
Avenant, let go of my hand. Please go. I must finish my work.
I love ...
[...] See more »
The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
When special effects anthologies are shown "Metropolis" is called the grandfather of film FX, "2001" is the son and "Star Wars" is the grandson. Invariably the French are forgotten. This is shameful, since the French were truly the masters of FX or "trick" shots. Following my analogy, Cocteau was the heir apparent of Melies.
"Beauty and the Beast" not only beautifully re-tells a beautiful story, but powerfully displays the Beast's magic. Cocteau's genius is that he makes simple editing techniques look like art and in this movie like the combination of art and magic. Watch what happens when Beauty gives one of her sisters a present from the Beast's castle which the Beast meant only for Beauty.
The version I saw was in French with English subtitles, but the visuals, in glorious black and white, are so stunning, you could almost cover up the subtitles and still understand what's going on.
I can't recommend this movie enough! It is #1 on my foreign film list.
27 of 33 people found this review helpful.
Was this review helpful to you?