Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the ... See full summary »
A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
When Michel, who's 22, tells his parents he is in love, his mother Yvonne is distraught, believing she will lose his love (which is the center of her life), and his father Georges is ... See full summary »
A dark twist on the morality tale of forbidden love between beautiful Belle and the feared forest Beast. As villagers are being brutally murdered and the Beast is hunted down as the one ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
In a snowball fight between schoolboys the handsome Dargelos hits the chest of Paul, who drops unconscious to the ground. Paul has a deep affection for Dargelos, and later denies that there... See full summary »
Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. ... See full summary »
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
The look and decor of the film was influenced by the work of nineteenth-century artist and engraver Gustave Doré, most famous for illustrating a famous nineteenth century French edition of "Don Quixote". Doré's illustrations for that novel are so famous that they continue to be reprinted even today. See more »
(at around 1 min) The chin of the actor portraying the "arm candle branch" to the left of Belle as she nears the talking door is visible. See more »
Children believe what we tell them. They have complete faith in us. They believe that a rose plucked from a garden can plunge a family into conflict. They believe that the hands of a human beast will smoke when he slays a victim, and that this will cause the beast shame when a young maiden takes up residence in his home. They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood's open ...
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The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
This famed Jean Cocteau film of the 1940s plays like a poem, moving across the screen. In a triple role (Avenant, a friend of Beauty's brother; The Beast; and the Prince) Jean Marais is curiously flat as a human it is as the sensual, passionate, sensitive, and complex Beast that he really shines. Josette Day is little more than adequate as Beauty, but good enough for the role that has been written for her.
The tale is one of awakening, of desires, and of strange surroundings. Living statues and disembodied arms holding candles aloft populate the twilight world of the Beast's castle, where the fate of a young girl turns on the plucking of a rose. Ghostly voices, choral and otherwise, shadows and softness accompany Beauty as she walks into the kingdom which first repels and then entrances her.
I have to agree with the view that the great Greta Garbo took of this movie, though: give me back my Beast'. The transformation from powerful feline seducer to run-of-the-mill Prince is a disappointment. It is during the scenes where Beauty and the Beast play out their fantasy that this film has its most potency.
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