Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and ... See full summary »
Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the ... See full summary »
At the end of the 15th century, two minstrels Gilles and Dominique come from nowhere into the castle of Baron Hugues. Gilles charms Anne, Hughes' daughter, while Dominique charms both ... See full summary »
Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her. His life begins to... See full summary »
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
Philip Glass composed an opera perfectly synchronized to the film. The original soundtrack was eliminated, and he composed the opera to be performed along with the film projected behind the orchestra and voice talent. The compact disc recording of Glass' "La Belle et la Bête" can be played alongside the film with a very similar effect. Note: the opera is recorded on two compact discs; hence it will be necessary to pause the film once while changing discs. In the US, the second DVD release of this film by the Criterion Collection gives the viewer the option of hearing the original soundtrack or the Glass opera version, which, in a sense, gives you two movies for the price of one. Glass has composed similar works for two other Jean Cocteau films: Orpheus and Les Enfants Terribles. See more »
Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion. See more »
Belle, you weren't made to be a servant. Even the floor longs to be your mirror! You mustn't go on slaving day and night for your sisters.
If our father's ships hadn't been lost in the storm, then perhaps I could enjoy myself like them. But we're ruined, Avenant, and I must work.
Why don't your sisters work?
My sisters are too beautiful. Their hands are too white.
Belle, you are the most beautiful of all! Look at your hands.
Avenant, let go of my hand. Please go. I must finish my work.
I love ...
[...] See more »
The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
Cocteau was a poet. Make no mistake. First and foremost. Not only in history's mind, but in his own as well. We are truly blessed that he was a filmmaker as well, and a brilliant one at that, marvelously weaving together a tapestry that mystically incorporated both words and sounds with the beautiful visions that lay captured in his mind.
Cocteau's vision of "Beauty and the Beast" is a visual marvel. To explain these marvels for you would be to ruin the experience. And it is an experience. But it is one of the poet: borne of symbolism and mythology. This is a fairy tale that a child could appreciate for its romance and beauty, and a parent for its intelligence and use of symbolism and metaphor. I recommend this film unreservedly. If you like classics and consider yourself a serious filmgoer, Cocteau's film is essential to your education.
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