Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the ... See full summary »
A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
In a snowball fight between schoolboys the handsome Dargelos hits the chest of Paul, who drops unconscious to the ground. Paul has a deep affection for Dargelos, and later denies that there... See full summary »
When Michel, who's 22, tells his parents he is in love, his mother Yvonne is distraught, believing she will lose his love (which is the center of her life), and his father Georges is ... See full summary »
This tale centers around the love between Baptiste, a theater mime, and Claire Reine, an actress and otherwise woman-about-town who calls herself Garance. Garance, in turn, is loved by ... See full summary »
A dark twist on the morality tale of forbidden love between beautiful Belle and the feared forest Beast. As villagers are being brutally murdered and the Beast is hunted down as the one ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. ... See full summary »
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
"On my face there's a plenty of cracks, wounds and itches and my hands are bleeding" Jean Cocteau wrote when he was hospitalized because of a bad skin disease "but the face and the hands of Jean Marais are covered with a so painful crust that removing it is similar to suffer my treatments". In fact all the visible parts of the body of Marais were covered every morning with animal hair. See more »
Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion. See more »
Belle, you mustn't look into my eyes. You needn't fear. You will never see me, except each evening at 7:00, when you will dine, and I will come to the great hall. And never look into my eyes.
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The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
This might be my nominee for the most beautiful film ever made. It ranks as one of my absolute favorites.
So many images stick in your head afterwards: the billowing draperies; the beast's flashing eyes when he first appears; the way his ears prick up when a deer moves through the woods-- he's trying to talk to Belle but can't help but be distracted-- one of those perfect moments; the way his hands smoke from the fresh blood when he's returned from the hunt; the living eyes in the carved stone; the hall full of arm/candelabras, turning as Belle passes by; Josette Day (quite an image all by herself); the moment that I can't even describe when she sort of folds into the sheets and vanishes-- so on, so on.
This is, in short, what film can do, when it tries. This was made long before computer graphics and the accompanying revolution in special effects, but if any of our modern directors deployed their resources as imaginatively, or as sensitively, as Cocteau did in the 40s, film today might be worth the paper it's printed on. But they don't and it isn't. Ah well. Get this and watch it; all due praise to Disney, but this is the fairy tale to see.
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