Beauty and the Beast
(1946)
|
|
| 0Share... |
Beauty and the Beast
(1946)
|
|
| 0Share... |
| Complete credited cast: | |||
| Jean Marais | ... |
La Bête (The Beast) /
The Prince /
Avenant
|
|
|
|
Josette Day | ... | |
|
|
Mila Parély | ... |
Félicie
|
|
|
Nane Germon | ... |
Adélaïde
|
|
|
Michel Auclair | ... |
Ludovic
|
|
|
Raoul Marco | ... |
The Usurer
|
|
|
Marcel André | ... | |
| Rest of cast listed alphabetically: | |||
|
|
Janice Felty | ... |
La Belle (1995 opera version)
(singing voice)
|
|
|
John Kuether | ... |
The Father /
The usurer (1995 opera version)
(singing voice)
|
|
|
Jacques Marbeuf |
|
|
|
|
Ana María Martinez | ... |
Félicie (1995 opera version)
(singing voice)
|
|
|
Hallie Neill | ... |
Adélaïde (1995 opera version)
(singing voice)
|
|
|
Gregory Purnhagen | ... |
La Bête /
Avenant /
Ardent /
The port official (1995 opera version)
(singing voice)
|
|
|
Zhang Zhou | ... |
Ludovic (1995 opera version)
(singing voice)
|
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by Huggo
Cocteau was a poet. Make no mistake. First and foremost. Not only in history's mind, but in his own as well. We are truly blessed that he was a filmmaker as well, and a brilliant one at that, marvelously weaving together a tapestry that mystically incorporated both words and sounds with the beautiful visions that lay captured in his mind.
Cocteau's vision of "Beauty and the Beast" is a visual marvel. To explain these marvels for you would be to ruin the experience. And it is an experience. But it is one of the poet: borne of symbolism and mythology. This is a fairy tale that a child could appreciate for its romance and beauty, and a parent for its intelligence and use of symbolism and metaphor. I recommend this film unreservedly. If you like classics and consider yourself a serious filmgoer, Cocteau's film is essential to your education.