A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
During the first World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
Exteriors for the Beast's castle were shot at the Chateau de Raray near Senlis. See more »
As Beauty and the Beast walk in the garden, a comparatively modernly dressed boy in short pants is visible for a few seconds to the top right behind them. See more »
Belle, you weren't made to be a servant. Even the floor longs to be your mirror! You mustn't go on slaving day and night for your sisters.
If our father's ships hadn't been lost in the storm, then perhaps I could enjoy myself like them. But we're ruined, Avenant, and I must work.
Why don't your sisters work?
My sisters are too beautiful. Their hands are too white.
Belle, you are the most beautiful of all! Look at your hands.
Avenant, let go of my hand. Please go. I must finish my work.
I love ...
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The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
Cocteau was a poet. Make no mistake. First and foremost. Not only in history's mind, but in his own as well. We are truly blessed that he was a filmmaker as well, and a brilliant one at that, marvelously weaving together a tapestry that mystically incorporated both words and sounds with the beautiful visions that lay captured in his mind.
Cocteau's vision of "Beauty and the Beast" is a visual marvel. To explain these marvels for you would be to ruin the experience. And it is an experience. But it is one of the poet: borne of symbolism and mythology. This is a fairy tale that a child could appreciate for its romance and beauty, and a parent for its intelligence and use of symbolism and metaphor. I recommend this film unreservedly. If you like classics and consider yourself a serious filmgoer, Cocteau's film is essential to your education.
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