This tale centers around the love between Baptiste, a theater mime, and Claire Reine, an actress and otherwise woman-about-town who calls herself Garance. Garance, in turn, is loved by ... See full summary »
Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the ... See full summary »
At the end of the 15th century, two minstrels Gilles and Dominique come from nowhere into the castle of Baron Hugues. Gilles charms Anne, Hughes' daughter, while Dominique charms both ... See full summary »
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
The popular song "Beauty and the Beast" by Stevie Nicks was inspired by this film. In 2007, she got the rights for the movie and it plays behind her as she sings the song. It is the last song in her set list. See more »
Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion. See more »
Belle, you weren't made to be a servant. Even the floor longs to be your mirror! You mustn't go on slaving day and night for your sisters.
If our father's ships hadn't been lost in the storm, then perhaps I could enjoy myself like them. But we're ruined, Avenant, and I must work.
Why don't your sisters work?
My sisters are too beautiful. Their hands are too white.
Belle, you are the most beautiful of all! Look at your hands.
Avenant, let go of my hand. Please go. I must finish my work.
I love ...
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The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
This famed Jean Cocteau film of the 1940s plays like a poem, moving across the screen. In a triple role (Avenant, a friend of Beauty's brother; The Beast; and the Prince) Jean Marais is curiously flat as a human it is as the sensual, passionate, sensitive, and complex Beast that he really shines. Josette Day is little more than adequate as Beauty, but good enough for the role that has been written for her.
The tale is one of awakening, of desires, and of strange surroundings. Living statues and disembodied arms holding candles aloft populate the twilight world of the Beast's castle, where the fate of a young girl turns on the plucking of a rose. Ghostly voices, choral and otherwise, shadows and softness accompany Beauty as she walks into the kingdom which first repels and then entrances her.
I have to agree with the view that the great Greta Garbo took of this movie, though: give me back my Beast'. The transformation from powerful feline seducer to run-of-the-mill Prince is a disappointment. It is during the scenes where Beauty and the Beast play out their fantasy that this film has its most potency.
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