A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by
The popular song "Beauty and the Beast" by Stevie Nicks was inspired by this film. In 2007, she got the rights for the movie and it plays behind her as she sings the song. It is the last song in her set list. See more »
Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion. See more »
Belle, you mustn't look into my eyes. You needn't fear. You will never see me, except each evening at 7:00, when you will dine, and I will come to the great hall. And never look into my eyes.
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The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
When special effects anthologies are shown "Metropolis" is called the grandfather of film FX, "2001" is the son and "Star Wars" is the grandson. Invariably the French are forgotten. This is shameful, since the French were truly the masters of FX or "trick" shots. Following my analogy, Cocteau was the heir apparent of Melies.
"Beauty and the Beast" not only beautifully re-tells a beautiful story, but powerfully displays the Beast's magic. Cocteau's genius is that he makes simple editing techniques look like art and in this movie like the combination of art and magic. Watch what happens when Beauty gives one of her sisters a present from the Beast's castle which the Beast meant only for Beauty.
The version I saw was in French with English subtitles, but the visuals, in glorious black and white, are so stunning, you could almost cover up the subtitles and still understand what's going on.
I can't recommend this movie enough! It is #1 on my foreign film list.
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