6.6/10
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13 user 2 critic

Behind Green Lights (1946)

Police lieutenant Sam Carson investigates a political murder after the victim is dumped at the door of police headquarters.

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(original screenplay) (as W. Scott Darling), (original screenplay)
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Cast

Complete credited cast:
...
Janet Bradley
...
Lt. Sam Carson
...
...
Nora Bard
...
Det. Oppenheimer
...
Arthur Templeton
...
Max Calvert
Mabel Paige ...
Flossie
Stanley Prager ...
Ruzinsky - Milkman
...
Ames - Reporter
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Storyline

Police lieutenant Sam Carson investigates a political murder after the victim is dumped at the door of police headquarters.

Plot Summary | Add Synopsis

Plot Keywords:

police | murder | color in title | See All (3) »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

15 February 1946 (USA)  »

Also Known As:

Audácia de Criminoso  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

If the corpse when moved from the gurney to the closet was in a state of rigor mortis, it wouldn't have been pliable at all (the arm moved, for one thing). See more »

Quotes

Johnny Williams: Gosh. I hope I don't pull any boners.
See more »

Connections

Featured in The World Famous Kid Detective (2014) See more »

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User Reviews

 
Awkwardly Straddles Two Eras
23 September 2015 | by (Claremont,USA) – See all my reviews

Plot—a shady character turns up dead in front of a police station. Looks like the cops have their man, oops, woman, but then the corpse disappears and fingers begin to point in different directions.

Okay time-passer from TCF. The format suggests a transition period between the comedic who-dun-its of the 1930's and the noirish police procedures of the late 40's. The two blend awkwardly here with an obstreperous group of crime reporters and antic characters providing the humor, and a no-nonsense police Lt. (Gargan) the procedure. Unfortunately, the moods contrast rather than complement, a tricky combo, at best. As other reviewers point out, the movie's standout aspect is influence peddling among city officials and police that suggests deals can be made without much regard for guilt or innocence. Perhaps the humorous side was intended to soften this harder message.

Rather disturbing to see promising actress Landis just two years before her tragic suicide, one of Hollywood's more lamentable. Too bad her sparkling personality remains subdued in a rather dour role. Still, she remains a distinctive presence and not just for us guys. Unfortunately, tough guy Ireland is wasted in a supporting role. But with his distinctive looks, he's clearly on his way up.

Anyway, the mystery's surprise solution is told in multiple flashbacks, so be prepared for the cut-aways. All in all, the movie's a journeyman piece of work, perhaps reflecting a coming change in post-war mood.

(In passing—Like reviewer arfdawg, I was puzzled by the clumsily edited opening scene of Janet {Landis} holding a gun on Bard, which doesn't appear to fit with what follows. However, the scene is picked up later in flashback. My guess is the idea was meant to be a teaser. Unfortunately, it looks like dull scissors were used to cut it.)


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