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Bedlam (1946)

 -  Drama | Horror | Thriller  -  10 May 1946 (USA)
6.9
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Ratings: 6.9/10 from 2,116 users  
Reviews: 51 user | 35 critic

Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries... See full summary »

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Writers:

(suggested by The William Hogarth painting Bedlam Plate #8 "The Rake's Progress"), (screenplay), 1 more credit »
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Title: Bedlam (1946)

Bedlam (1946) on IMDb 6.9/10

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Cast

Complete credited cast:
...
...
Billy House ...
Richard Fraser ...
Glen Vernon ...
The Gilded Boy (as Glenn Vernon)
...
Sidney Long
Jason Robards Sr. ...
Oliver Todd (as Jason Robards)
Leyland Hodgson ...
That Devil Wilkes (as Leland Hodgson)
Joan Newton ...
Dorothea the Dove
Elizabeth Russell ...
Mistress Sims
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Storyline

Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries to bring support to reforming Bedlam, but the cruel Master Sims who runs it has her committed there. The inmates, however, have the last say. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis

Taglines:

Sensational Secrets of Infamous Mad-house EXPOSED! (1946 one-sheet poster)

Genres:

Drama | Horror | Thriller

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

10 May 1946 (USA)  »

Also Known As:

Chamber of Horrors  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Filmed July 18-late August 17 1945, the third and last collaboration between Boris Karloff and producer Val Lewton. See more »

Goofs

In the early scene where Nell and Lord Mortimer drive by in a carriage, Nell is holding her cockatoo. Depending on the shot, the cockatoo's position and behavior change completely - in some it is sitting absolutely still, in others it is curled up preening itself. See more »

Quotes

Lord Mortimer: A capital fellow, this Sims, a capital fellow.
Nell Bowen: If you ask me, M'Lord, he's a stench in the nostrils, a sewer of ugliness, and a gutter brimming with slop.
See more »

Connections

Referenced in Goldfinger (1964) See more »

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User Reviews

 
Another fine film from Val Lewton!
29 June 2005 | by (Beverley Hills, England) – See all my reviews

If you're watching a classic horror movie and you see the words 'produced by Val Lewton' sprawled across your screen, you know that you're in for a great movie! While Bedlam doesn't represent Lewton's best work, or even his best collaboration with the great Boris Karloff, it's still a great atmospheric horror film. The story takes place in an eighteenth century 'Looney bin' called "Bedlam", and stars Karloff as the apothecary general. Lunatic asylums make for great settings for horror movies, especially when they're set in the time period that this one is set in. Nowadays, hospitals are more geared towards helping the patients; but back then, they weren't; making the setting more horrifying and therefore riper for a horror movie. The plot sees a young woman who becomes concerned at the way the patients are being treated at Bedlam. After trying to get the asylum to reform their practices, the powers that be decide to have her committed in order to save themselves money and stop her revealing how badly the patients are treated.

As usual with Lewton, the film breathes a thick and foreboding atmosphere and this is the main star of the show. The atmosphere is complimented by a nice story which, although there's maybe slightly too much talking, plays out well and features a great ending that is seething with irony. Mark Robson isn't as great as the other directors that Lewton has worked with; Jacques Tourneur and Robert Wise, but he knows his stuff and the three films that he made with Lewton, while falling somewhat short to the others', are still nice horror movies. The Body Snatcher will remain the finest collaboration between Karloff and Lewton - but that film was exceptional and the fact that this one doesn't live up to it isn't a commentary on it's quality. Karloff himself puts in another awesome performance and his screen presence combines with his mannerisms to create an eerie performance from the great horror legend. This film comes with high recommendations from yours truly. I'm a big fan of Lewton, and after seeing a number of his films; I don't see how anyone couldn't be.


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