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Bath Day (1946)

Approved  |   |  Animation, Comedy, Family  |  11 October 1946 (USA)
6.6
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Ratings: 6.6/10 from 191 users  
Reviews: 3 user

Minnie gives Figaro a bath and ties a ribbon around his neck. Figaro feels like a sissy, and when he mixes it up with some alley cats, they mock him, and the leader attacks. But Figaro is ... See full summary »

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(as Charles Nichols)

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(story)
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Cast

Uncredited cast:
...
Minnie Mouse (voice) (uncredited)
Clarence Nash ...
Figaro (voice) (uncredited)
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Storyline

Minnie gives Figaro a bath and ties a ribbon around his neck. Figaro feels like a sissy, and when he mixes it up with some alley cats, they mock him, and the leader attacks. But Figaro is so afraid that his shaking topples a series of trash cans onto the aggressor. The rest of the cats didn't see this happen, and think Figaro defeated their leader. Of course, now he's all dirty, and he needs another bath... Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis


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Details

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Release Date:

11 October 1946 (USA)  »

Also Known As:

Bad-dag  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Featured in Ink & Paint Club: All Figaro All the Time (1997) See more »

Soundtracks

Figaro and Cleo
Written by Ned Washington and Leigh Harline
See more »

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User Reviews

 
Dirty Doings For A Clean Cat
24 June 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney FIGARO Cartoon.

As if BATH DAY wasn't bad enough, a pampered & pomaded Figaro the kitten has a most nasty encounter with the meanest alley cat on the block.

This was one of a short series of cartoons that featured the little feline from PINOCCHIO (1940). There's plenty of good humor here, with the mangy villain getting exactly what he deserves. Minnie Mouse has a small role as Figaro's hygienically obsessed owner.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.


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